ProRes RAW explained - part 1

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Join us in our first video in this series with Atomos, where we take you through what ProRes RAW actually is, what differentiates it from a conventional ProRes files and why it is a fantastic and incredibly flexible format to work with.

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I am very sorry. I still can understand fully how it works the ability to change ISO in a raw file in post production. Is there a noise reduction applied just changing the ISO value or is just a brightness compensation? Does the software knows the iso gain noise pattern from every cameras?
thanks

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To say "we've" listened to our users is a tad disingenuous when the addition of this functionality i.e. the metadata needed to do this, in fact, came from Apple/AtomOS adding it, don't you think? Since, if anything, Apple/AtomOS listened to users and you are now implementing _their_ changes, no?

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