OMORI OST - 152 A Red Shape

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Composed by Pedro Silva.
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Red hands.
Blood is red.
Red hands are red.
Blood on your hands.

gavindillon
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This throne scene was so badass and im not even sure why. Something about Omori sitting on the throne and facing the camera screams 'Im the one in control now.'
Im almost done with the game, so lets see how true that statement is if he ever pops up again.

tytori
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This part felt like omori saying "LOOK AT ME. I. am the captain now."

carloridolfi
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I feel like red hands are supposed to be another incarnation of Sunny's guilt over Mari's death. Hands being red is a reference to how he thinks that Mari's blood is on his hands (because he killed her). Also, they don't let you go anywhere else in White Space, other than the remaining Headspace through the white door. They always return you to your main spot. This could be a reference to how guilt doesn't allow Sunny to move on with his life and keeps him in White Space instead.

Kaghtaviy
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"Hello? Yes, this is KIRA. I was wondering if that hand throne of yours is for sale?"

Sancho_Real
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the cutscene with the throne of hands really just put it into perspective that omori, despite seeming like the protagonist, was the antagonist all along

skallehild
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this game is so good that i remember every scene from these soundtracks

mio-nwup
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_Playsets in forests, dancing in the stars, _
_Foggy trees, and highways with cars, _
_Hush now Sunny, there's no need to feel, _
_For your reflection will take the wheel._

HollyfromtheHollow
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To think that while you're exploring Black Space and so confused, Omori knows exactly what's going on because he's ruler of the place...

toasteroven
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"And now... you know... the truth. We can only choose one path. Next time you come to me, we *will* choose my path. I will not succumb."

kirbyfreakyt
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This is the moment...





Where Omori’s true nature is revealed.

rhysthereddragon
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Bro this part of the game where Omori just sits in his throne is just so badass man probably one of my favorite part just the power it holds

kikiduck
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Enough.
This "Black Space", this "STRANGER", this "UNDERLYING TRUTH"-
He is not ready for them. He never will be.
There was a thing, some errant memory, that sought to guide him-
To a truth that would surely be fatal.
But that thing is gone now. You have seen to it.

You take your rightful place atop your throne,
For you see now you must rule this place:
_By your crimson hand, _
_May you keep Sunny safe from the pain of his past_
_Forever more._

alchetect
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When Omori revealed himself as the villain in that cutscene sitting at the throne of hands

LGHTDUD
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Fun fact: in the game files this song is called "Omori True Form".

anssikamila
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OMORI reminds me of Evangelion sometimes, especially this title.
"Everything is simply a shape, an identifier to let others recognize me as me. But then, what am I? Is this me? My true Self? My fake Self?"
-Shinji

alencar
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"Hands of time will wring my neck"

Chibi-Ske
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This scene to me felt like Omori crowning himself king over Sunny's body, mind, and soul. It felt as if he had become Headspace/Blackspace/Redspace as a whole's god. And when you think about it in detail, Omori's powers and abilities, they really are extremely powerful. When he sits upon the throne and later on you look in the mirror in Sunny's house (hikikomori run) you don't see Sunny. Ever. Every time you look in the mirror you see him. Omori. Not Sunny. Sunny is gone, banished, forever. Omori holds the reigns and will do so for the rest of Sunny's- no, not Sunny. Omori's- life. However short and despairing it may be after he does take control.
No matter how you look at it, that ability for an alter ego to do something like that is incredibly god-like, or however you want to refer to it.

this isn't just me spewing my religious trauma what are you talking about-

Rachel-pgwm
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This is pure control, it's Omori taking over and ending HS, not in a literal sense, but in the way that if sunny can't stop remembering and wanting to go back, he'll force Sunny to stop no matter what it takes

Cadette
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Music Man
“Liar. Liar. Liar.”
“You let them all go.”
“Why did you have to go?”
“They can’t live witho

toddnroll