Ancient noncommutative natural overtone music scale instruments = advanced alchemy metamaterials

preview_player
Показать описание
Metamaterials rely on reverse time or the inverse or transverse Doppler Effect. So by using the natural number overtones as the music scale the ancient oldest human music instruments also exhibit a metamaterial acoustive negative refraction. This means that as the musician and instrument moves toward the listener then the frequency goes down in pitch (in opposite to the normal Doppler Effect of a frequency pitch perceived as going up at the time wavelength is compressed towards the listener). So this means that the "phase wave" is like the shock wave but it is going from the future in reverse and so the phase wave is in the opposite direction to the group wave going forward.

There are two ways for this to happen. One is to have a subwavelength resonance of the actual sound and this is from the sideways resonance of the tube or sphere versus the lengthwise resonance. The second secret is by using the natural number harmonics this enables each hole to be its own self reversal of phase in relation to the whole length of the tube itself. So the natural number resonance itself is creating a reversal of phase via the natural overtones also having a subharmonic that is noncommutative phase to the root tonic. This means that the inverse octave is effectively an enharmonic root tonic due to the noncommutative time-frequency resonance. So for example is C is 1 and the octave C is 2 then 2/3 is C to F while 3/2 is C to G and therefore F=3=G at the SAME time as noncommutative phase, creating a negative refraction superluminal sound wave.

G. Nimtz proved that indeed these superluminal sound waves or evanescent virtual acoustic oscillations are around us all the time as Nimtz was able to transmit Mozart as a superluminal acoustic signal. Nimtz used a crystal as a metamaterial for negative refraction but now we know that the natural number overtone/undertone series as the ancient music scale (documented to be used by our original human culture - the San Bushmen - as older than 50,000 years ago when human language first developed two different dialects). The original human culture, the San Bushmen, rely on music as the truth of reality as a negentropy or negative refraction index of spacetime itself - as inherent healing energy, as the Law of Phase Harmony of de Broglie explains. The original human culture that we are all from calls this energy, N/om and in China it is called Qi and in India it is called Prana. The indigenous cultures of thousands around the world were all from the original human culture of the San Bushmen and so they also use this same scale of noncommutaive phase natural numbers and they also have words for the natural energy of the Universe as the Cosmic Womb that can only be LISTENED TO as a positive pressure healing energy.
Рекомендации по теме
Комментарии
Автор

Wish you would speak. I think you’re brilliant. I reread your ats thread yearly. I would absolutely love a podcast format from you. Thank you for once again sharing your insights!

christophermoore