Mixing Low End

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Click the link below to start making mixes that accurately translate what you hear in your head.

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I have watched hundreds of mixing tutorials over the last three years and yours are by far the best. Clear, simple, useful. And you don't ramble on and one about irrelevant stuff. Also, the music you use as examples is nice to listen to!

tabitharasaproject
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10:14 This one is VERY important!!! Many instruments have a certain sound, and putting on a high pass filter takes away the range that isn't helping the sound. I love doing the same on reverb. The super lows on reverb sound pretty muddy. You want the mids & up on reverb. Maybe SOME low mids. Even cutting the super highs helps sometimes.

Another great video!!!

BillGraper
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Literally the most comprehensive!!! Paying attention to detail and covering all the bases with precision is the epitome of this channel ! You guys are great!!!!

coastatv
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After watching hundreds of hour tutorials l can clearly say especially first tip is like diamond. Thank you very much 🙏

serkanboyekin
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So great to see such an informative and professional channel thriving!

xyzyzx
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As always, 100/100. Long life for Sage Audio.

mao_ec
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This was outstanding, thanks a ton for this brilliant explanation! It helped me tremendously mixing a track where the DFAM and Subharmonicon were clashing heavily. A thousand thanks!

TristanBaldi
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you shared some good ideas here. Back in the day, there were not all of these tools, especially the dynamic equalization stuff, and they made it work. Personally, I do a lot of ducking using analog compressors with a side chain. Cutting some 250 Hz from the kick helps as well.

burns
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Please a tutorial of mixing mid lows 🤗🤗

SonoraOndaLatinaOficial
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Im glad you touch the subject more related to tune your kick drum lower or higher before hitting record. Now thats producing. I think the only problem a lot of home mixers have at this point isnt understanding what not to do or do while mixing ..that area its been already covered. The real issue is we keep hearing this "use your ears not your eyes" to people that have a really bad sounding room to start. And yes I know we can go around that learning your room curve but thats another problem ...we as humans adapt really quick to anything including how a room sounds but that doesn't mean that just bcuz you know how your room sounds ...you have to ignore the real problem ....the problem be that, if you are not hearing the real problem ...you cant fix it. Simple as that. thats why we see ppl setting up 3 pair of speakers and so ...because they looking for those problematic frequencies that the room keep hiding from them or over exaggerating. Its like a famous mixer (cant remember now) once said; Bedrooms are made for sleep...not for mixing music.

AudioReplica
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-One of my favorite channels is "Sage Audio".
-Thank you for producing fantastic, musically comprehensible, informative, professional videos.
-Advanced mixing and mastering videos. Outstanding content!
-You can always learn something new. Up-to-date content.

dreeanbeatsofficial
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Yes yes yes... a good video, again... this morning for me, pesonnaly... Great to put practical knowledges/tips onto some fascinating concepts ! Thanks Sage Audio.

alban
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In the low end situation on masters I usually go straight for fab pro mb and use downwards expansion to create more dynamics or space in between those instruments... like chords that have a lot of low end and bass that are clashing. Using downwards expansion is a fast way to seperate it when there isn't much left to do especially in a master. I really like using expansion because you can shape the attack and release and really seperate things dynamically when they're just to close in volume together. To me this is differentiated with feeling and not so much sound. It takes some experience using expansion and knowing what you're looking for and notice those subtle yet powerful changes. Separation causes a much better swing or groove

lalocura
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I enjoy every video that comes from this channel! So helpful!

randyhood
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At 9 minutes when you turned on the compressor I really like noticing increase in swing but when you turned on the eq it definitely got cleaner but now some peaks of the bass are being pushed making it a bit less impact full which is fine depending on the genre. In some cases using expansion to stretch it a bit might help create that clean separation without compressing so much. Just depends. Bcuz sometimes one can compress more than they need on the bass to get cleaner sound but that'll make it sound a bit over compressed. Usually it works fine but expansion is just another dope tool to use

lalocura
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15:17 whats the name of that plugin? i always looking for some meter like that !

nastika
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BEST.TUTORIAL.CHANNEL.EVER🎉
LOVE FROM GHANA 🇬🇭

BandoLyrix
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First: your videos are absolutely VERY good in all aspects!! Thank you for this hugely helpful and detailed information.
I'd like to ask three questions here:
1: Am I right when I conclude that - given the natural limitations of the human hearing spectrum - I will never escape the fact that those bass heavy instruments NEED a significant dB advantage (higher peaks on the dB meter) to ‘stand out’?...even after some (deliberate or accidential ) saturation?
2: If so: can I solve this problem by simply lowering the gain on all the other tracks? (and get the volume back in the mastering stage?)
3: Does it make a technical difference if I choose to lower each and every single track individually or save myself some time by lowering the gain of the whole groups that they belong to?

schoo
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This episode was the most informative from your perspective. Thank you!

Shred_Rocket
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you need to do an advanced course on mixing. Always love your tutorials so in depth

Tom-tvok