My response to music professor Kurt Ellenberger: Noncommutative nonlocal superluminal sound signals

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The Perfect Fourth is neither an overtone nor a harmonic!
is the column article I responded to.
"Vibrational modes of an ideal string, dividing the string length into integer divisions, producing harmonic partials f, 2f, 3f, 4f, etc. (where f means fundamental frequency)."
"Anachronistically speaking, this means that, supposing both these both cycles meet, there would be m and n integers such that (2:3)n = (1:2)m, that is, 3n = 2m+n, which is impossible, since the left term is odd and the right is even. (Abdounur, 2015)"
if you play a perfect fourth above a fundamental frequency together, in natural resonance, like Indian music, the Perfect Fourth is heard as the fundamental frequency because the Perfect fourth has the lower note as its harmonic while the lower note does NOT have the Perfect Fourth as its harmonic. This demonstrates the Phantom tonic of the PErfect fourth as inherent noncommutativity of reality.
"The thesis can be expressed in the following way: If two drones either a fourth or fifth apart are sounded, one of these will 'naturally' sound like the primary drone. It is not always the lower of the two which will sound primary, but the one which initiates the overtone series to which the other note (or one of its octaves) belongs. By amplifying a prominent overtone the secondary drone lends support to the primary and intensifies its 'primary' character. Ma [Perfect Fourth as 4/3], although consonant to Sa (root tonic), is alien to the overtone series and is not evoked in the sound of Sa. On the other hand, Sa is evoked in the sound of Ma, since Sa is a fifth above Ma and is its second overtone.
For this reason it can be argued that the tendency to view Ma [the Phantom Tonic] as the ground-note has a 'natural' basis. The same cannot be said for Pa [Perfect Fifth] as Sa is not part of its overtone series." Jairazbhoy N. A. (1995). The Rags of North Indian Music: Their Structure and Evolution, Popular Prakashan.
"The thesis can be expressed in the following way: If two drones either a fourth or fifth apart are sounded, one of these will 'naturally' sound like the primary drone. It is not always the lower of the two which will sound primary, but the one which initiates the overtone series to which the other note (or one of its octaves) belongs. By amplifying a prominent overtone the secondary drone lends support to the primary and intensifies its 'primary' character. Ma [Perfect Fourth as 4/3], although consonant to Sa (root tonic), is alien to the overtone series and is not evoked in the sound of Sa. On the other hand, Sa is evoked in the sound of Ma, since Sa is a fifth above Ma and is its second overtone.
For this reason it can be argued that the tendency to view Ma [the Phantom Tonic] as the ground-note has a 'natural' basis. The same cannot be said for Pa [Perfect Fifth] as Sa is not part of its overtone series. Jairazbhoy N. A. (1995). The Rags of North Indian Music: Their Structure and Evolution, Popular Prakashan.
"Nicolas Slonimsky once pointed out, in an effort to dissuade readers from the idea that Western tonality is the inevitable result of how we hear (as opposed to a largely artificial invention), that no matter how high one goes in the harmonic series, a fundamental pitch will not produce a perfect fourth above the fundamental....Just as Slonimsky opined, the perfect fourth above the tonic is nowhere to be found....
One other dominant does exist, however: the one built on the tonic itself. It resolves, not to any note within the scale, but to a foreign pitch—the so-called subdominant. Thus the perfect fourth above the tonic enters the scene, not as part of a stable major scale, but as a tempter, a seducer, a built-in modulation away from the true tonic. The perfect fourth, and not the tritone, is the true “devil in music.” It’s no “subdominant.” It’s the phantom tonic.
This is from the book Music and Sound, published in 1937 by the English organist, composer, and theorist Llewelyn Southworth Lloyd:
All the evidence shows that, in the early stages of a scale developed in the attempt to sing melody, one of two intervals, the fourth as an interval approached downwards, or the fifth, would almost certainly provide its first essential note other than the octave. (Emphasis added.)"
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OK so I kept this "secret" to myself and I ended up living in the wilderness in Alaska for six months (starting out working in a fish factory). I then transferred to UW-Madison while I was in this cabin off grid but the homesteader there even brought up an upright piano. He tried to get me to "perform" for this Brazilian tourists who had been taking out on a freezing sled dog ride. I was a sled dog handler but I refused to jump through dog hoops as a pianist. My senior piano recital was strongly lacking in technical skill since my focus was on the philosophy of music. But I did memorize Bach very well and so I was admitted to a professional music quartet training camp at Madeline Island, Lake Superior. My roommate was a single child whose parents were obsessed with his music training and scholastic skills. We used to compose together at MacPhail while he practiced IQ tests. I was already playing in a grunge noise band and free jazz and so I didn't take classical music seriously. He aced his SAT and got a full ride to Harvard then he taught at Columbia for a while before returning to the Twin Cities. We lost contact after he saw me at a music concert and told me to break off ties. haha.
Anyway at UW-Madison I was doing a lot of environmental activism as part of the UW-Greens group that was officed on the Mall by the Music building. That may have been why my orchestration professor called me into a meeting and he announced to me that my transposition of a Schoenberg piano sonata into a string quartet was "Communist" since I obviously wanted "equal pay for equal play." Then he insisted I redo my past assignments even though I had already gotten As and Bs. Maybe I should not have criticized the "seralism" that he and the other director of the department where submerged in, bragging to us students that they could get us into Princeton, their Alma Mater. I wasn't impressed by the computer serialist scene and I told my Professor (and his newly constructed house on a farm field) that I didn't think such music would be appreciated by the masses. He said that he was just "ahead of his time." I had chosen the "self-directed" option that I was calling "Global Blues" but I then dropped out realizing that these Princetion Serialists were probably not too keen on my activism all the time on the nearby Mall. haha.
So my undergraduate degree was a "new" option in "environmental" International Relations as supposed "sustainable development" with equal time in political science, economics and biology. I realized, as I tried to "integrate" these different disciplines that they all relied on lies about each other to sustain their own subjects. There's a great new book by Professor Jeremy Walker that corroborates what I had discovered on my own 30 years ago! haha.
So I still kept this music secret and by 1996 I had expanded it to nonwestern music theory. In 1995 I saw a paper announcement on a phone pole for a qigong master healing demonstration, by Effie P. Chow. I was so skeptical I called up to ask for half off. This was back in the Twin Cities, Minnesota, and so I took my girlfriend from Madison - and we both went to St. Mary's University for the demonstration, in Minneapolis. My girlfriend had health problems and she didn't mention feeling anything to me. But when Effie P. Chow said she had filled the room with qi and she asked someone to walk towards her to see if the person could feel it - and this was down the center of the two sides of room chairs - then the person reported feeling the qi. Then she asked us to make "qi balls" by having our palms face each other. Sure enough I felt a very strong magnetic force pushing the center of my palms apart! Now I was 24 years old and on a vegan diet and bicycling to work each day - and so I was very healthy. But then something strange happened - this obviously student age worker wandered in with the school "guard" uniform. She said, "I'm just wondering what's going on in here because the fuse got blown in the room behind you." So the class had ended, most of the people were gone - maybe half and Effie P. Chow didn't really say anything to the student "guard." haha. I got freaked out and we left but I was totally hooked at this point.

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Hi Professor Ellenberger or Kurt: Thank you for your kind reply and interest in dialog. I realize this topic is unusual and I'm glad you brought in biology, along with physics. I started piano training at age 5 at McPhail but I actually sat through my mom's piano lessons when I was 3. The "Absolute Pitch" studies have shown a much greater probability, 40%, if the person starts training before age 4, so I guess I missed that cut off. haha. My piano teacher was young, as I was one of her first students, and she taught an "adult" music theory class in the evenings, that I attended when I was around 15 or 16 years old. Suddenly I wondered why the wavelength 2/3 could not be a Perfect Fifth while 3/2 is a Perfect Fifth. When I asked her husband, the former University music professor, in our private lessons, he just replied due to logarithms. He had shown me, though, the resonance trick of silently holding down a key on the piano in the near overtone, a Perfect Fifth, while striking a lower key with the silent key then ringing out. Suddenly I realized that the 2/3 undertone must also do the same on an infinite level. Then I read Sir James Jeans book, Science and Music, explaining that the "true clockface" of music theory is not the logarithms as a circle of fifths but rather the infinite spiral of (3/2)to the 12th against the octave to the 7th and then "all simplicity disappears."
So I told my piano teacher that I thought this was the true harmony of all of reality. They began giving me some mystic books like "Talks with Great Composers" (as I discovered later that book had been forged a bit, haha). The Creative Process book was much more interesting - a 1950s book that's been reissued about how great scientists and artists get these "flashes" of "complete knowledge." So I was also given Gregory Bateson's book Mind and Nature: A necessary unity and also the Tao Te Ching.
So then when I attended Hampshire College for my first year in 1989-90, I took Quantum Mechanics from Professor Herbert J. Bernstein, who emphasized that students need to learn quantum physics first before classical physics since quantum physics is the new foundation of reality. He taught us the "Dirac Dance" to demonstrate nonlocality as the true basis of quantum entanglement. When he did this demonstration of the 720 degree spin of the electron (necessary to observe the particle that actually has a 1/2 spin that is inherently nonlocal), I suddenly had this aghast, dropped jaw look on my face and Professor Bernstein laughed at my look while calling me out by name! I was sitting in the front row of class so he could see me easily. hahaha. Bernstein didn't realize that I had immediately had this "flash" of insight that in fact that 720 degree spin was the same secret of music theory I had realized about the 2/3 C to F undertone as Perfect Fifth being the truth of reality along with the C to G overtone. I know this is true because I wrote about my insight in a letter I sent home.

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"I’m aware of the issues with the 4th (5th below?), its lack of appearance in the overtone series until the 11th overtone (but then it’s an out of tune #4!), and others in this discussion. However, the behavioral evidence is so overwhelming (in terms of how we hear/react to the sounds in relation to the ratios/waveforms), that those issues, as interesting they are to discuss, fail to convince me that they have the power to undermine the entire phenomenon of how we hear/react to those ratios and the sound waves they create.

Thanks again—great to connect with you. What’s your background? How did you get interested in this? It’s such an interesting discussion, and I love talking about it with people who are similarly interested (obsessed??) in it." Professor Kurt Ellenberger

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So next I read one scholarly book for ten years after my Master's Degree - so I could study science more to then "reverse engineer" my music theory model back into mainstream science. It was during this time that I discovered Fields Medal Math Professor Alain Connes discussing music theory in his 2001 book, "Triangle of Thought." Immediately I realized that what he called "noncommutativiity" was the same music theory secret I had discovered, but I wasn't sure if he was just being metaphorical.
So then I also discovered in tinnitus research that the highest pitch we listen to externally actually resonates the brain internally as ultrasound. I then discovered physiology Ph.D. military mind control researcher Andrijia Puharich arguing that ultrasound harmonically splits water into a proton delocalization energy, so that the paranormal powers are due to a time-reversed "precession" as the velocity difference between the proton and electron in the body. I also read quantum physicist Jack Sarfatti's book arguing an early version of ER=EPR or quantum wormholes explaining paranormal reality.
So as I kept doing more research then I realized the secret of the qigong training exercises is the noncommutativity. I realized since I am mainly just self-taught then somebody else MUST have made this same connection. I kept searching online and finally I discovered Eddie Oshins, a physicist hired to work at Stanford Linear Accelerator Center on what he coined "quantum psychology" all based on noncommutativity. He also taught Wing Chun (of Bruce Lee fame) and he realized the secret of "neigong" or internal martial arts as mind-body transformation is noncommutativity. He even worked for Karl Pribram, the neuropsychologist of "holographic mind" fame, at Stanford, but Pribram could not understand the noncommutativity mathematics, being stuck in the classical physics model of reality.
So then I contacted Math Professor Lou Kauffman who had collaborated with Eddie Oshins, since Oshins had died young. Kauffman and I have corresponded several times, with his emphasis continuing to be on noncommutativity. I then also contacted quantum physics Professor Basil J. Hiliey and we have built up a stronger correspondence with his emphasis also on noncommutativity. He had cited Kauffman and also Alain Connes. Professor Hiley has also relied on music as a model for the inherent "anticipatory" role in quantum nonlocality as a kind of "active information" from the future. Hiley had collaborated with David Bohm who had developed a similar model to the Louis de Broglie pilot wave model. de Broglie had a very simple insight that corroborated my same music insight. de Broglie had realized that as per quantum physics, as a particle goes towards the speed of light then the frequency goes up but as per relativity the time also gets bigger. This violates the basic principle since Pythagoras that frequency is inverse to time and therefore there has to be a time-reversed signal from the future that is a negative frequency and guiding matter all the time. De Broglie called this his Law of Phase Harmony and considered it his "greatest discovery" but it's not taught in physics classes.
So Professor Basil J. Hiley has been working on a paper in response to Fields Medal Math Professor Alain Connes lecture in 2015 to the physicists on how the origin of quantum randomness and "thermal heat" as entropy is actually due to noncommutativity. Connes himself trained in music from a young age since his grandmother was a piano teacher. Since Connes moved at the age of five then he was not able to keep up his music training and thus went into mathematics. But Connes still practices Chopin at home and he likes to study music scores for inspiration for his mathematics. He considers the orchestration ability as a model for different spacetimes existing all at the same noncommutative phase as "primitive time."

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So then I had this dream, soon after that I immediately wrote down in my journal, at 2:30 am, 1995. I had been keeping a journal and the dream was of my environmental activist friends with native american Indian activists - all standing on the roof of house, holding a banner, to protect a wilderness forest. The dream was more real than being awake! So I wrote this all down and wrote I "think this dream is predicting the future." I never made the connection that my dream could have been tied to my qigong initiation.
In 1996 I went to San Francisco to pursue Effie P. Chow, funded by my work injury carpal tunnel syndrome, $600 awarded through workers compensation via a lawyer. My high school buddy was ABC, American Born Chinese with parents from Taiwan and he had moved to S.F. (he informed me they don't called it San Francisco there, haha.). So he also said qigong is for old people and I didn't have enough money to actually see Effie P. Chow. So he took me up to Portland and to Powell's Bookstore where I discovered John Beaulieau's book on Biosonics as music healing. In that book, John Beaulieau explains that Yang is the Perfect Fifth and Yin is the Perfect Fourth. So suddenly I realized this corroborated my own claim and explained why qigong worked.
So by 1996 I had written this monograph called "The Fundamental Force" that was a critique of Slavoj Zizek (my friend James T. Hong had recommended I read Zizek and also Noam Chomsky). I sent my monograph to Music Professor Richard Leppert at University of Minnesota (actually he was director of Cultural Studies department but he focused on musicology). He responded kindly to my discussion of his work and I also sent it to Zizek. Zizek sent me a postcard stating, "after a quick glance it looks very interesting. I'll read it and get back to you." Instead his next book, "Plague of Fantasies" was a strawman attack on my critique of him. haha.
So then I was accepted into the Master of Liberal Studies at University of Minnesota, a self-designed degree for working adults. I mainly focused on "sustainability" activism - and I did civil disobedience, etc. while keeping this music theory idea along all the time. And so my master's thesis was on 'sound-current nondualism" - the term I coined. It was a strange mix where I continued my critique of Zizek in more detail - and also Gregory Bateson and Noam Chomsky along with more physics and more meditation information - also "radical ecology." The University literally needed to get rid of me - the President had emailed me asking me to not go on "unlimited hunger strike" but then he did join the Workers Rights Consortium as we had requested. I got other measures past the Regents - he had written "you have done enough already." haha.
The only thing is this training relies on purification as harmonization and when I experienced a spacetime vortex that is what forced me to stop meditating. I needed to understand more of what was going on. haha. I didn't realize that Pythagorean Ph.D. philosopher Peter Kingsley had described this same spacetime vortex experienced by the PreSocratic Pythagorean shaman philosophers. In fact the training manual I was relying on, the Taoist Yoga: Alchemy and Immortality book clearly explained my experience but only in Chapter 11. I didn't think I had gotten that advanced and so I had not studied the book well enough. haha.

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So Professor Basil J. Hiley told me that the paper he is now working on literally changes physics as we know it. If you watch his recent lectures on youtube, he explains how classical physics is wrong. Also he explains we do not need the wavefunction in quantum physics nor even probabilities. The Bohmiam model is actually noncommutativity and Hiley relies on a quantum algebra explanation just as Connes does. Essentially the "transition frequencies" that Heisenberg discovered to be noncommutative are not just based on the noncommutativity of the observables of position and momentum. Rather the Matrices inherently are nonlocal as a noncommutative invariant ratio that Alain Connes simply calls, "two, three, infinity" since music theory is the simplest way to explain it.
Thanks for your interest,
drew hempel

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There is an Eastern meditation practice based on not love but rather the truth of formless awareness as the source of the I-thought, the true Self. So all your thoughts and perceptions are based on the sense of I that arises when first waking up. In deep dreamless sleep there is no sense of I-thought. So logically to "escape" then you need to repeat I-I-I not as a mantra but rather as an inquiry to seek the source of the I-thought as the logical truth of reality. When in deep dreamless sleep you still exist but you exist without any sense of I so logically who you are is a Self beyond the sense of I. As you keep practicing this then you open up to the space between your thoughts and this creates a spiritual light emanating. You discover that on the right side of your heart there is a secret pinhole to the source of this spiritual light as an ether-force of formless awareness. This ether-force of formless awareness is called active information as the quantum potential nonlocality in physics but in meditation it is called Shakti or Yuan Qi or the Emptiness or Nirvana or the Self that can not be seen - it is also called "protoconsciousness" in quantum physics. In yoga meditation to experience this formless awareness is called Nirivalpa Samadhi but most spiritual practitioners get attached to their spiritual ego. So you have to keep going deeper beyond any astral realms experienced as all still based on your sense of I from your I-thought. Eventually your heart will stop for over 15 minutes but your body will remain powered by this formless awareness Ether-shakti force from the future. It is inherently precognitive as a fundamental time that is constantly guiding all matter and even light since all matter is made of light. So then when your spiritual ego as light returns back as powered by the formless awareness then the "knot" to your body is permanently cut - having "cut the knot" of the spiritual ego to your body now you no longer will create any kind of low frequency karmic attachments to your body. With each thought and breathe your spiritual ego will immediately return back to the truth of the Self as formless awareness from where light emanates eternally. The Self is NOT the light but rather it emanates the light. The Self is also called Mouna Samadhi or Silence Samadhi since the Self is activated and encountered through a deep listening process is meditation. See my first upload for a free training manual on how to do this. thanks

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well in terms of meditation I rely on full lotus padmasana because our minds are not to be trusted. I mean for example our sense of smell is quickly repressed once our prefrontal cortex adapts to it. So Poonjaji pointed out that in fact it is our very first thought upon waking that is this self-aware consciousness turned around to its origin. He called it the space between thoughts and in terms of listening, as Ramana Maharshi called it "mouna" or silence samadhi, yes Physics professor Guenter Nimtz has stated that superluminal sound signals are an everyday phenomena - we just are not aware of it. So in my own research, starting out around 16 years old, I noticed a logical error in music theory. It turns out that commutative geometry originates from this wrong music theory - what I call the "rotten root" or wrong foundation of reality. So as we work, we work to decrease the entropy of matter and we call this "progress" but Roger Penrose points out that gravitational entropy is the opposite of the entropy of matter. Life is due to a decrease in gravitational entropy, as negentropy or negative entropy from a negative frequency and time-reversed signal. Louis de Broglie was the first to discover this in modern physics - that since momentum is from frequency in quantum physics then as a particle goes towards the speed of light, the frequency goes up, but the time, as per relativity, also gets bigger (time slows down). Therefore there HAS to be a time-reversed signal from the future as a negative frequency that is eternally guiding matter.
Now it turns out, as per tinnitus research, that indeed the highest sound we can hear externally resonates the brain internally as ultrasound. This also means we can hear up to ten times faster than Fourier Uncertainty (the mathematical origin of Heisenberg Uncertainty). So the quantum consciousness research of Stuart Hameroff and Roger Penrose was corroborated by Aniriban Bandyopadhyay realizing that ultrasound creates quantum coherence of the microtubules inside the neurons - via tubulin as a negative refractive index. This means that the source of our thoughts originates from this "superradiance" of acoustic phonons with the future guiding the past. This is why in deep meditation we have precognitive visions and externally time slows down relative to our internal perceptions. Also these negative frequencies as virtual photons can be absorbed back into the body-brain and converted into increased biophotons internally with this inherent gravitational mass of the future - the negentropy that Penrose refers to. So we can actually create a spacetime vortex via deep meditation since this nonlocal noncommutative asymmetric time that is in eternal motion is before linear time of primitive causality for relativity/

This also explains the deep ecological crisis of modern science because we are increasing the gravitational entropy of life on Earth since mass originates from frequency as Penrose explains. So while it is true that we have to work and exist in our perceived notion of "progress" - the truth of science increasingly documents an acceleration of doom. For example the Oceans already, since 1995, have overheated by 250 Zettajoules, and counting. That means a 5 degree Celsius, minimum, increase of atmosphere temperature is in our near future as the oceans release that heat. The oceans are melting the arctic ice from below and soon the arctic will be ice free for the first time in 3 million years. There's a 500 gigaton pressurized methane reserve in the largest ocean shelf in the world, the East Siberian Arctic Shelf, that has a high probability of abrupt eruption in the near future. Just a 5 gigaton release will double global warming.

Also the Aerosol Masking Effect means any decrease in sulfur pollution increases the heat. So a 40% decrease in sulfur pollution by shutting down coal plants and cleaning up diesel will heat up EArth another 1 degree Celsius global average. 50% of the near term temperature increase will actually be from attempts to decrease CO2 emissions that currently are at 100 times faster then any time previously in the history of complex life on Earth, the past 550 million years.

So you can keep working and indeed you must to cover basic needs but soon it will be too hot to grow food at scale, as already is happening in Africa and on occasion in the north.

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Physics Professor Manfred Euler:
"Binaural hearing is the acoustic analog of the interferometer or double-slit experiments. The two ears can be regarded as an acoustic interferometer, which recovers the phase difference of signals between the two ears by binaural correlation….matter waves are locally in phase with the superluminal particle clocks (de Broglie’s Law of Phase Harmony). The clock runs forever so it’s self-sustaining (consciousness-energy). It resonates with the quantum vacuum....Yet an acoustical answer can be given! Play the above mentioned infinitely rising tune and listen to a parable of scientific progress: The progress goes on but the central epistemological questions remain invariant."
Near-field imaging with sound waves compelling demonstrates the inadequacy of pictorial realism and promotes more abstract views of the reality displayed.
A comparison of sound and matter waves clarifies that these [noncommutative] limitations exist in principle.
2016: de Broglie clocks as synchronization: a tangible model of how mass emerges.
The harmonic beats creates dynamic energy. So then you have a "phase particle" that can be faster than the speed of light - superluminal - and a "mass particle" that is slower than the speed of light as the "group wave" of the "phase wave." The beats of the phase wave then are "in resonance" with the quantum vacuum - and so create mass from the massless field, explaining the Higgs mechanism.
"Universal coherence" - a "mind boggling outlook."
Coherence as consciousness.
"Ghost Tones"

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the latest Nobel Prize in physics based on Bell's Inequality disproved a symmetric rest frame of observation. Kent A. Peacock, Professor of philosophy of physics: There is a subtle fact about relative velocities that is not always explicitly mentioned in books on relativity, and a failure to grasp this subtle fact may be a cause of some of the confusion about superluminal motion. In special relativity all velocities (except for the velocity of light itself) are relative, including zero and infinite velocity....Dainton, et. al., possibly have confused the invariant fact that any superluminal propagation has infinite velocity relative to one frame (which one depends on the spacetime trajectory of the superluminal effect) with the notion (not correct) that any superluminal propagation would be invariantly infinite for all frames....Thus, there certainly is a theory that allows for influences which are instantaneous in one frame and finite (though superluminal) in all others; it is called 'special relativity.'...instantaneous in their mutual rest frame....Whether or not the local clock readings are equal at A and B is therefore independent of whether or not A and B are at the same global time coordinate in some inertial frame or other....Einstein's way of defining time-coordinate simultaneity neither assumes nor requires that light signals be either the fastest or the only way of communicating between distant events; it's only about what can be accomplished with light signals....an obvious candidate is phase: it is far more natural to think of wave functions as reducing over hypersurfaces of constant phase, and this automatically gives a covariant picture; ...While relativity is far more amenable to superluminal influences than has been generally supposed, ultimately it is classical relativity that must adapt itself to the quantum.... 2013
So the Bell's Inequality proved the phase is superluminal and does not have a symmetric rest frame as per Einstein's relativity. Einstein had called this "spooky-action-at a distance" and he could not believe in it since it violates "primitive causality" that assumes linear time. But Einstein was disproven! Even Quantum Field Theory still assumes a symmetric rest frame as per relativity - so the physics community has a very difficult time accepting nonlocality. Essentially the mathematics can demonstrate the future does guide the past but this is before any physical observation. In meditation we can have visions that are precognitive as is also true in NDE reports. A good book on precognitive healing visions is Ph.D. psychologist Christine Donnell's Transcendent Dreaming.
The Tibetan Book of the Dead explains that immediately after death the light is so bright that the spiritual ego returns to the pure formless awareness. This was experienced in a NDE report uploaded - by someone who died at 14 years old from drowning and immediately went into the formless awareness realm. It's called Nirvikalpa Samadhi or nirvana in Eastern meditation also called "Silence Samadhi" or Mouna samadhi. It's the secret of the Logos also in the West from PreSocratic philosophy.
What happens is our spirit has blockages as lower frequency emotions and so even ghosts need to be healed to return back to the formless awareness. Normally after that immediate bright light as love is experienced beyond the death of the heart - the spiritual ego can not handle it since the lower frequency blockages in the light are "yin qi" blockages that have not been converted back to Yuan Qi via the Fa Shen - a negative frequency reverse time signal from the future. So this is also called the "magnetic moment" as the velocity difference between the proton and electron as a time-reversed quantum Beat or undertone, as the loud OM sound that resonates from the heart - it is the Schumann ELF wave on Earth also. Dr. andrija Puharich figured this out. I recently wrote a book about him and there is to be a new Netflix documentary about him released this spring. He was a military mind control scientist studying the spiritual and paranormal. thanks

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consciousness is light and so the light is the spiritual ego also called Ishwara. When the light is turned around it absorbs virtual photons or negative frequency and time-reversed active information that is the future and past overlapping. So time is in eternal motion and is guiding the light with the time as active information. This is why the past experiences have to be healed - even ghosts need to be healed. The healing takes place through the future and past overlapping. So the past can be changed by absorbing more of the energy-information from the future. All matter is from light and spacetime has mass from the gravitational mass of light. So we can not see "fundamental time" - that is why in Genesis it says, "God SAID "let there be light." The Logos is the Speaking or "saying" before the light. That Speaking or saying is eternal motion as an eternal harmony or resonance from the future overlapping with the past. That creates light and eternally emits light that creates new matter. So no one can see God but we can listen to God. By listening to God we can heal the blockages of light from the past through absorbing more of the future that harmonizes the past. When the consciousness is turned around then it is absorbing at a rate faster then it can be perceived since the light is being harmonized from the future. This causes the sense of the ego to be dissolved back into formless time just as in deep dreamless sleep there is no light and no sense of spacetime as linear time. Only in the spiritual ego there is no sense of self when it is absorbed into the future as harmonization.

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the target is a time-reversed signal. The Unified Field is wrong since it still relies on symmetric space. As he said change is the truth - eternal change is asymmetric time as flowing. So the time-reversed signal creates a negative frequency as a quantum beat or undertone. This is heard as a loud OM sound emanating from the heart but also emanating from the source of reality beyond the body and beyond death. So Angels are "high frequency" and demons are "low frequency" but the target is this time-reversed negative frequency - think of the backwards slow wobble of a top when spun around or how Earth has a backwards wobble ever 25, 000 years. You can't "see" this time reversed signal but you can listen to it through meditation. In Daoism it's called the Yuan Qi but it is also the secret of the Logos from the book of John since God SAID "let there be light." The "Said" is the future overlapping with the past and guiding the past through this undertone from the future. You can see my first upload for the free training manual. thanks

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Actually I took quantum physics as my first physics class and Professor Herbert J. Bernstein insists that everyone should takes quantum physics as their first physics course since quantum physics is the foundation of reality. Basil J. Hiley emphasizes that there is no need for the wavefunction in quantum physics and also no need to "collapse" the wavefunction and hence no "quantum measurement" problem. You'd be surprised what you can learn from Hiley. hahaha. He emphasizes that most physicists can not handle nonlocality. Professor Jean Bricmont points out that the Bell's Inequality has debunked Quantum Field theory! Why? Bell's Inequality proves there is no symmetric rest frame in relativity as is also the assumption of QFT. Penrose discusses how gravitational entropy is the opposite the entropy of matter and thus the universe began in highly coherent asymmetric time. This completely goes against the assumption of time invariance in standard quantum physics. So you insist on relying on being indoctrinated by all these "advanced" courses that all rely on commutative geometry then you'll miss Fields Medal math professor Alain Connes point that noncommutativity is the secret origin of quantum randomness and almost all scientists consider noncommutativity to be not just a nuisance but very strange. Penrose now relies on noncommutativity for the foundation of his "palatial twistor" model. Even Lawrence Krauss had no idea about this when he recently "interviewed" Penrose claiming he understood Penrose since he had read Penrose's last book (from ten years ago!). haha. Just goes to show how arrogant other physicists are in this subject matter of the truth of reality.

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