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Guide To Using Zebras With All Sony Gammas
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By popular demand here is my guide to using zebras with the different Sony picture profiles. I cover all the cine gammas, S-Cinetone, S-LOG 2 and 3 as well as the HLG gammas. I did omit modes such as REC709, Pro, Cinema etc as they tend to be less popular plus there is lots of overlap with the other linear gamma examples in this video. I’ve been wanting to make this video for quite some time and it took a great deal of effort so I hope you find it helpful and interesting.
Not sure what zebras are? This is the video for you -
As promised, here are the outputs of all the gammas demoed in this video...
Cine1 - 109%
Cine2 - 100%
Cine3 - 109%
Cine4 - 109%
S-Cinetone - 109%
S-LOG 2 - 106%
S-LOG 3 - 94%
HLG - 100%
HLG1 - 87%
HLG2 - 95%
HLG3 - 100%
Connect with me on social 📲
🔴 Instagram @harv_video_audio_stuff
0:00 Intro
0:28 Heads up
1:02 Why did I make this guide?
1:59 In the menu
2:34 Standard plus range
3:05 Lower limit
3:31 Zebras to protect highlights
4:33 Protect highlights examples
6:08 Zebras to expose skin tones
7:23 Cine 1 skin tones
7:49 Cine 2 skin tones
8:14 Cine 3 skin tones
8:37 Cine 4 skin tones
8:55 S-Cinetone skin tones
10:49 S-Log 2 and 3 skin tones
12:59 HLG modes skin tones
16:11 18% grey?
17:34 Zebra tipss
Not sure what zebras are? This is the video for you -
As promised, here are the outputs of all the gammas demoed in this video...
Cine1 - 109%
Cine2 - 100%
Cine3 - 109%
Cine4 - 109%
S-Cinetone - 109%
S-LOG 2 - 106%
S-LOG 3 - 94%
HLG - 100%
HLG1 - 87%
HLG2 - 95%
HLG3 - 100%
Connect with me on social 📲
🔴 Instagram @harv_video_audio_stuff
0:00 Intro
0:28 Heads up
1:02 Why did I make this guide?
1:59 In the menu
2:34 Standard plus range
3:05 Lower limit
3:31 Zebras to protect highlights
4:33 Protect highlights examples
6:08 Zebras to expose skin tones
7:23 Cine 1 skin tones
7:49 Cine 2 skin tones
8:14 Cine 3 skin tones
8:37 Cine 4 skin tones
8:55 S-Cinetone skin tones
10:49 S-Log 2 and 3 skin tones
12:59 HLG modes skin tones
16:11 18% grey?
17:34 Zebra tipss
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