How to Use Dynamic Eq During Mastering | Ultimate Guide!

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This IS the best musical channel of all the YouTube game love what you guys are doing for us

larrykeny
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beatsbyakil
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Love this channel . I have gathered so much in a short amount of time . Thank you

Aharshreality
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Very interesting this one. I never really use additive dynamic EQ when I am mastering. I have always liaised with the mix engineer if I need the kick brought up, or the vocal brought forward, but after watching this I thought I would apply it to an especially dull mix I had to work on this morning that could not be recalled by the original mix engineer and would have needed a complete remix by a different engineer. By applying a few of your techniques, I rescued it in about half an hour and have a very happy client this evening. Nearly 30 years mastering and I still learn something new every day. Thank you and stay safe.

conanliquid
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Your content has helped so much! Appreciate it 🤘🏻

JonnyNM
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Great content, clear, concise with easy to follow examples however on this occasion you demonstrated the subtractive de-esser and low mid de-mudder technique on the full stereo signal but then in the example walk-through you used it only on the mid channel. Just to clarify, is it correct to say it's better to use the methodology on the full signal rather than just the mid channel as there is potentially some mud and vocals that will need de-essing in the sides. Thanks for your time and keep up the excellent tutorials.

HandHeldHalo
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Sir, did you have lo fi beat sample packs.?..sir thanks for. Your advance tips ..i hope you always...upload these...advance mixing and mastering tips for us..

musicmishra
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Question about the dynamic expansion, would you happen to know if the Waves F6 EQ functions similarly to the Pro Q3?

TerrenceCallahan
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TDR Nova has that attack and release parameters for each dynamic eq band, but at the cost of only four bands.

abhicorpselegacy
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Well, there's no philosophy or belief system for additive vs subtractive dynamic EQing as it exists for standard EQing. If for example the bass is too quiet compared to the kick, use subtractive dynamic eq on the dominant kick band and boost bass and kick back with a shelf. If it's the other way round, work exactly the other way round. But frankly, I prefer a multiband compressor like ProMB for this type of task. ProQ3 is missing attack, release, ratio, knee, look ahead and the sometimes very important and handy internal side chain. I'd say ProQ3's dynamic option is way more useful for surgical small band interventions. In fact, the application you showed here is a job for ProMB & Co.

alexhormann
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What is the main difference between dynamic eq and multi band comp. I think I understand the difference, but I’d be cool to see a fleshed out explanation

cytocache
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Seems like this tutorial would've been better served using NOVA. Most are more likely to have that vs Fab Filter.

KevinWayne
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Am I missing something or is this basically multiband compression? If you have a dynamic EQ with attack and release would that not be the same as a MB compressor?

UnbelievablyBased
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not using the slope setting on the bell is sacrilegious for this purpose

breakfasttouch
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