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The surprising origins of talking with your hands | Rebecca Kleinberger | TEDxBoston
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The voice helps us connect with others, forge bonds, and foster relationships. But the voice also creates connections inside our own body and, in particular, shares an ancestral bond with our hands. Dr. Rébecca Kleinberger reveals the many strings that tie hands and voice together from fine dexterity, memory, motor cortex, and the origin of language. Throughout this journey, we explore questions such as: do animals have a dominant hand? What do weightlifters, babies, and salamanders have in common? Or what does the inner voice of deaf people feels like? And how we can use our voice to touch people. Rebecca Kleinberger is the mother of hedgehogs and a PhD candidate doing research at the MIT Media Lab. Her work mixes science, engineering, design and art to explore ways to craft experiences for self-reflection and human connection. As part of the Opera of the Future group at the MIT Media Lab, she creates unique experiences to help people connect with themselves and with others. She accomplishes this using approaches that include virtual reality, rapid prototyping, deep learning, real-time digital signal processing, lasers, wearable technologies and robotics.
Through 5 years of work on self-reflection technologies, Rebecca has developed unique expertise on the human voice as a means of expression, both to others and within ourselves. Her research spans a wide range of fields, including neurology, human-computer interaction, psychology, cognitive sciences, physics, biology, clinical research, linguistics, communication theory and assistive technologies. This broad range of work has enabled her to create tools and experiences that help people discover more about themselves through the uniqueness and expressivity of their own voice.
Rebecca's work was used for a Financial Times magazine cover and has been shown at a wide range of events and venues including, the Museum of Fine Art in Boston, Le Laboratoire in Paris, Siggraph Art exhibition in Los Angeles, “Hacking Consciousness” at Harvard divinity school, and EMF camp in the UK. She has collaborated with Microsoft Research UK and the Google Magenta team and has presented her research at a host of international conferences. Working with Tod Machover’s team, her research has also been used outside of the MIT Media Labs as part of live shows and novel esthetic experiences at Maison Symphonique de Montreal, the Luzern Festival in Switzerland, and the Winspear Opera House in Dallas.
Through 5 years of work on self-reflection technologies, Rebecca has developed unique expertise on the human voice as a means of expression, both to others and within ourselves. Her research spans a wide range of fields, including neurology, human-computer interaction, psychology, cognitive sciences, physics, biology, clinical research, linguistics, communication theory and assistive technologies. This broad range of work has enabled her to create tools and experiences that help people discover more about themselves through the uniqueness and expressivity of their own voice.
Rebecca's work was used for a Financial Times magazine cover and has been shown at a wide range of events and venues including, the Museum of Fine Art in Boston, Le Laboratoire in Paris, Siggraph Art exhibition in Los Angeles, “Hacking Consciousness” at Harvard divinity school, and EMF camp in the UK. She has collaborated with Microsoft Research UK and the Google Magenta team and has presented her research at a host of international conferences. Working with Tod Machover’s team, her research has also been used outside of the MIT Media Labs as part of live shows and novel esthetic experiences at Maison Symphonique de Montreal, the Luzern Festival in Switzerland, and the Winspear Opera House in Dallas.
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