CANON R5: RAW and STANDARD DUAL NATIVE ISO TEST

Testing out if there is a "hidden" dual native ISO on the Canon R5 for RAW and Standard color profiles.

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DISCLAIMERS
This video was not paid for by outside persons or manufacturers.
No gear was supplied to me for this video. I purchased this gear to test for myself.

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CHAPTERS
0:00 Introduction
0:15 "Hidden" Dual Native ISO
1:11 What About RAW & Standard Profiles?
1:46 RAW Dual ISO Test
2:58 Standard Profile Dual ISO Test
4:06 Standard Profile Black Cap Test
4:53 Standard 640 ISO Test
6:26 Final Conclusions

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Bryan Redding is an award-winning Cuban American Cinematographer and Director based in Athens, Georgia. He loves being on set and sharing his knowledge. In addition to his love of cinematography, Bryan has complete high range hearing loss which, according to his audiologist, leaves him functionally deaf in certain environments, hence making him the Deaf Director. This has not stopped Bryan from continuing his passion on set and behind the camera, and he uses his experience with his physical condition to propel his unique vision.

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[danegerouspictures]

R5C has also a very dirty iso at 2500. 3200 looks clean and smooth. Remember the old days with the Canon 5D, you had to carefully select your iso in multiples of 160.

[csound]

Few R5c owners seem to realise that the base iso (3200 & 800) and regular iso settings can also be used simultaneously. The R5C is the first Canon camera to have this feature. It is an extra function - not the same as just selecting one of the native or base iso's in R5. Selecting base iso 3200 and simultaneously using iso 800 can provide excellent low noise results when shooting in low light scenarios.

[popusikurac]

Thank you very much for your hard work and sharing information with us!

[magnus]

Thanks for this video! I'll have to play with these ISO levels on my R5. Super interesting!!!

[SasImage]

Regarding RAW, think about that dual native iso does not work when you change it in post, you have to dial in the right iso (8oo or 3200) before recording.

[AlexandrePRODHOMME]

Interesting, thanks for testing things out for us

[digitaldevigner]

Standard profile didn't look like much change because the native ISO is not 800 for standard video. Only for C-log 3 and C-log 2 raw. ISO 100 and 400 would be the equivalent for standard video and dual native ISO. C-log 3 is lifted 3 stops which is the difference between ISO 100 and ISO 800. It's also why C-log 3 has 6.3 stops over middle gray vs 3.3 stops for standard video. It's the nature of how log works. I'm not sure if dual native ISO really makes much sense between ISO 100 and ISO 400 on a FF camera. Its log thats already lifted 3 stops where it can make a huge difference.

[danielchamorro]

What about If you need more ISO. Is any good point to avoid noise when you are in a dark environment? Thanks

[justinhofstadler]

I wonder if 3200iso looks just as clean when shooting raw externally. Would be nice to shoot 8K ProRes Raw with the Ninja V+ while having low noise at 3200iso.

[LonzosStudios]

at that lower ISO, you may have to check the blue channel...

[redbeardproductions-kevind]

You'll always get less noise on full stops than in-between stops when shooting log. If your shooting raw, there is no baked in iso...

[胡子盖]

non log require different dual ISO，not 800 and 3200 anymore

[photographyRI]

Is this true of crop vs non-crop (regular & hq)? BTW, as someone pointed out Dual Gain and Dual Native are different concepts

[mrg]

Interesting. I stumbled on to the same type of dual gain like result, with the 1DXIII and C-Log 3. 3200 ISO looked surprisingly good, like it was 400 ISO or better.

[sebatasinfo]

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