ZERO COST Virtual Production And Everything Beyond

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Find out how much virtual production costs. From low budget options all the way to huge LED wall studios these are the real figures. I think virtual production can be done very effectively on a low budget but the costs can ramp up very quickly.

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Fun fact: for almost every high end production that uses LED walls, VFX artists end up doing roto and replacing all of the LED wall imagery with offline-rendered CG. The only actual benefit is accurate reflections and that is why a lot of productions now simply project blue screen wherever the camera is pointed to eliminate roto in post. I attended a talk by the Image Engine guys who worked on Netflix's Avatar show. They said both the LED wall and live camera track were not good enough for delivery and had to be re-done in post.

LFPAnimations
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Hello Joshua,
I run a small production company in Korea, and I came across your channel while searching for information to help achieve my goal of having a future LED studio.
I believe you'll become an even bigger YouTuber someday. I'm cheering for you!

peterkim
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👏Taking something so complex and with many rabbit holes is challenging and you did a spectacular job!🎬 Very well done and thank you.🙏

quietlyworking
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Dude thanks to you n progress in 3d gaussian, i m trying to make a good looking budget indie film .. but a lot of troubleshoot n workflow need to be done. I dont have access to jetset but you do. So here is a suggestion, take most mid- ambitious or complex scens of hollywood an redo it ( like media division is doing with the killer recreation) u learn a lot personally but also u n team troubleshoot entire thing n come up with great tools to solve those issue n time wasters or wait slugs while also making the scene top notch jn virtual prod. N e everyone wins, including studio adoption when the see output matching real world references.

justmovies
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Hi Joshua! Your content is really cool. I've been doing a lot of testing and doing some work with virtual production. I've done some stuff with LED panels using Unreal Engine in conjunction with Disguise. And I recently did some advertising films looking for a cheaper solution. And the best combination I could find was using Mars with a laser projector. In a few weeks I'll do some testing with the projector and Jetset, and as soon as I do I'll comment here. Big shout from Brazil!

diretorleoferraz
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We reached out to one of the major LED Wall manufacturers a year ago - their cheapest 4K model for a 4.0m x 3.0m wall was around £150K incl. the fixtures and mixer hardware, but excludes a workstation spec or data storage. Meanwhile, renting time at many facilities start at about £5000/wk. If people want to do an Indie setup, and provided they have the space, their best bet is an LED Projector (Short Throw or, preferred, Ultra-Short Throw), with a refresh rate of at least 120Hz at 4K resolution; some exist and cost around £3200 minus the screen.

rushboardtechuk
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Can you use osmo pocket mini 2 for that?

most.notorious.b
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We have access to a 16'x 35' LED wall and would love to have you for a test :) in New Orleans.

samuelmacaluso
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I have been working with autoshot/jetset and unreal engine and its really a pain in the ass

abelarabian
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Does Unreal not support the AJA mobile IO devices in addition to the Kona cards?

GregWhisenhuntVT
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I’ve seen some “home made” LED walls made by mashing together small bezel TVs (usually set vertically) and then fudging the seams so it looks like a big picture window. I suppose it’s possible to blur the images or bring in foreground set pieces to hide seams for other backgrounds but it’s gonna be tricky and might look like crap in the end. Cost - a lot more than green screen and a lot less than a real wall…

RSill
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Can I do that with a Seemo 4k ? or do I need the pro

dcxl
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can i use a mac for unreal engine? what would be the specs for that

Keepingupwithcalypso
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Have the phone and got the Seemo pro, now I found out I need a cooling fan, and a tentacle timecode tool. I phone cage-"Please link where you got the one you use", then it's mounting solutions and and and... so not cheap when adding up all the bits and bobs.

garthmccarthy
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Hi Joshua, I've been following what you've been doing for a while and first of all I'd like to thank you for your very inspiring videos. I'm into very similar things to you and currently my goal is to build a studio green screen setup with live preview capability. I've tried everything possible, I liked the Aximmetry Eye app very much. Totally accurate tracking with just a mobile phone without the need for any calibration, easy af. Unfortunately it is limited to the smartphone camera only, so not usable for pro use. Then we tried the retracker. And it was terribly complicated to set it up at all, so I gave up. I'm looking for something that would allow me to track with my phone so I can send the tracking data to UE and then live key via Ultimate for example. Is it possible to use your Lightcraft Jetset app for this? Or what do you think would be the best solution for me?

JaroAtry
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Hey joshua, really enjoying your Videos. We try to set up a similar solution at our university. Do you have a link for your rig setup for example the mount of the accsoon and the iphone ? Thanks for your help and keep up your great work 😊

Thies_Gruenewald
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Jetset is still not working for the live feed from unreal im still waiting for a new tutorial where they can explain their pipeline correctly

theyoutuization
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Please Please do some Aximmetry tutorials in the future 🙏 you are our only hope at this point, there is not that much tutorials about it and Virtual Production, i hope i am not alone in this situation, thank you again for your content 😊.

deathseverance
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Pls which video is around 8 minutes and 55 seconds, I would like to know about this

Lumask-dmdz
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Thanks for the information brother..Love from india

King_Abhikhyashali