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BEGINNING VOICEOVER WORK
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Beginning voice over work is always an exciting time in someone's life, when people actually realise that their voice can make them an income – working in their own home studio - and be incredibly good fun as well.
Now many voiceover scripts fall into “types” of read, dare I say “stereotypes”, and when you’re at the beginning of your voiceover journey, it’s very useful to learn these basic voice styles and pattens that are generally accepted by audiences. You have the “commercial style” – both hard sell and soft sell, the straight documentary narration, the proud business “Image Video”. Now, a fast-track way to understand these styles so you can perform them yourself is to learn from others already doing it. When we were babies and toddlers, we learned to speak from listening to people around us and repeating what we heard. This helped us learn language as well as accent and speech style from people we heard around us or on radio or TV. That's why if you were brought up in Texas, you probably don't have a posh British accent.
Now when I was about eight years old, I desperately wanted to get onto the radio as a radio deejay. And my hero in England was Tony Blackburn, and I used to copy his style, almost imitate him. But pretty soon afterwards, I then developed my OWN radio style and many OTHER voice styles of my own for voiceover and voice acting work. And this is what this technique is really. It's listening to the best voice overs and people whose voices with a range type that you can attempt to emulate. Imitate them to start with, then once you have that voice pattern template in your head, then you can develop your OWN version that still fits the accepted voiceover template, for commercials, documentary narration, stereotype character voices in cartoons and so on.
May I suggest a technique to help you quickly learn these styles? You need to get into your head the basic “melody” of each section of speech you’re learning first. All you need is access to a musical instrument and a little bit of musical knowledge. First, don’t get overwhelmed by long reads. Take recordings you find a sentence at a time and analyse them in enormous detail, for emotion, attitude, timing, pitch, volume change and all importantly, MELODY.
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