Getting the Film Look with Digital Footage

#filmriot #Film #Digital
-----------------------------------------------------------------
**GEAR WE USE**

COLOR GRADING LUTs:

SOUND FX:

MUSIC:

VFX ASSETS:

Envato - 50 Million Resources for $10:

CAMERAS:

LENSES:

PLUG-INS:


AUDIO:

TRIPOD:
-----------------------------------------------------------------
Connect with us:

TWITTER:

FACEBOOK:

INSTAGRAM

WEBSITES:
-----------------------------------------------------------------

[Itsjustanopinionchill]

One thing about tutorials like these (which i love the technical stuff, what are you using) but rarely do people who work in this field express why they choose to use the tool the did and the settings they use. A lot of people are out here of course looking to just straight copy paste looks from others, but for me I want to know why you chose what you did. I want to understand the vision of the filmmaker on how they made that vision come to life. Can you do something like this in perhaps a slower longer format video explaining on of your shorts perhaps?

[GVChristian]

Small note: Chromatic aberration is the separation of red, green and blue rays caused by imperfections in the lens often at the edges of the image. Halation is a fringing around extremely bright values of an image that is caused by bright rays of light bouncing off the inside of a camera, thereby spreading out those bright values' red and sometimes green light rays.

[Fedor_Dokuchaev_Color]

4:35 - In case of Resolve Film Looks adjusting key output gain will also affect the conversion from Cineon Log to Gamma 2.4. You should create a compound node with CST and LUT inside - adjusting its key ouput gain will only affect the LUT itself.

[filmstuff]

It would be cool to see how to recreate the sound of older films. For example a movie from the 80s sounds different to current films and I’d love to see you guys make a video on that

[HavekAttacketh]

So glad you showed this on davinchi! Love this show! Can't believe I've been watching yall since yall started! Don't go anywhere the videos are great!

[JimRobinson-colors]

In the Resolve OFX - grain control for shadow, midtones and highlights is under the advanced part at the bottom in the inspector. You kind of stopped there and then highlighted that functionality in filmconvert which implied that it wasn't in Resolve.
We have the problem with streaming services that the quality of grain is compromised by the compression. So taking advantage of the OFX in Resolve might not look any better or worse than all the expensive add-ons after uploading to the internet.

[JustaBusta]

"80% of movies are shot digitally" shows 3 chris Nolan posters lol

[savostas]

doing all corrections after the CST and LUT - walking on a really thin edge there 😨

[silvertube]

I wouldn't assume everyone knows that LUT stands for Look Up Table. It is a file that contains a set of parameter values. I think knowing that makes it more clear what LUTs are about.

[SomewhatAbnormal]

The imperfection of film has become burned into our perception of what a movie should look like. We take a cleaner digital image and rough it up so that resembles our ideal movie look.

So it makes me question why manufacturers of cameras don’t spend more R&D on perfecting the 4K-6K range of sensors instead of trying to expand into 8K+.

After 20+ years of not releasing a new sensor, ARRI finally released an improved 4K sensor with high dynamic range. They didn’t chase the ever increasing resolution.

[lennartbreede]

Ryan Navazio's clips at 6:49 are shot on 16mm, not Super 8

[AfterFX]

Been watching you for years. Thanks for everything you do ❤

[DerSchaddan]

4:34 that's wrong - since you convert to rec709 with the lut you need to adjust the intensity of the CST and the Lut together, or else you blend the rec709 output with the cineon image of the previous node. To do this you could create a compound node for example

[joshuabutlermusic]

Really like seeing resolve on a tutorial from you guys. After effects still has a place in my heart but I'm really digging the NODE base work flow.

[DanielS]

Not bad of a tutorial, guys. The closest thing I've seen so far for something that has a similar look prior to this tutorial is someone making their own version of a Digital Bolex, basically using a Canon EOS-M camera with Magic Lantern and some vintage lenses (and I think with some minor LUT used in post production).

[tbip]

Will you guys ever go back to more bts/set up/ type videos?

[drdarkeny]

Not entirely true — in the 1980s there was a brief flirtation with shooting and editing on 3/4 inch video, then transferring to film for theatrical release. Coppola even produced a couple movies that way, wanting to prove that video could replace film… and not succeeding very well it's the time.

[DuffDaddy]

This is literally exactly what I was looking for. Thank you so much!

[nigelianzamora]

The final shot was pretty insanely gorgeous. Like - "put this on a loop, " gorgeous. Like - "where is this movie?" gorgeous!

[PhilipWesson]

I had no idea about using color space transform before those specific LUTs that ship with davinci. Is there a place to go to know how best to use specific LUTs regarding what output gamma LUTs will need?
I have a bunch of Osiris LUTs that never look proper