American Pie is Considered a Masterpiece Recording, Celebrates 50th Anniversary

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Don McLean has listened for decades as people belted out his classic song “American Pie” at last call or at karaoke — and applauds you for the effort.

“I’ve heard whole bars burst into this song when I’ve been across the room,” McLean tells The Associated Press from a tour bus heading to Des Moines, Iowa. “And they’re so happy singing it that I realized, ‘You don’t really have to worry about how well you sing this song anymore. Even sung badly, people are really happy with it.’”

Happy might be a bit of an understatement. “American Pie” is considered a masterpiece, voted among the top five Songs of the Century compiled by the Recording Industry Association of America and the National Endowment for the Arts.

McLean — and his singular tune about “the day the music died” — are now the subject of a full-length feature documentary, “The Day the Music Died: The Story of Don McLean’s ‘American Pie,’” airing on Paramount+ Network.
“American Pie” is packed with cultural references, from Chevrolet to nursey rhymes, while namechecking The Byrds, John Lennon, Charles Manson and James Dean. The lyrics — dreamlike and impressionistic — have been pored over for decades, dissected for meaning.

The documentary answers some questions, but not all. McLean reveals that his oblique references to a king and a jester have nothing to do with Elvis or Bob Dylan, but he’s open to other interpretations. He explains that the “marching band” means the military-industrial complex and “sweet perfume” is tear gas.

The line in the chorus “This’ll be the day that I die” comes from the John Wayne film “The Searchers” and the farewell is a riff off “Bye Bye, My Roseanna,” a song his friend Pete Seeger sang. McLean was going to use “Miss American apple pie” but dropped the fruit.

The end of the song asks for “happy news” — an echo of the first verse — but there is none. The three men McLean admires most — the Father, Son and Holy Ghost — “caught the last train for the coast,” meaning Los Angeles. “Even god has been corrupted,” McLean says in the film.
“He was glad to open up because he and his manager thought it was the time to do it and this was the platform to do it in,” says music producer and songwriter Spencer Proffer, CEO of media production company Meteor 17, which helped make the film. “My hat’s off to Don for writing something this magnificent. My job was to bring it to life.”
For McLean, the song is a blueprint of his mind at the time and a homage to his musical influences, but also a roadmap for future students of history:

“If it starts young people thinking about Buddy Holly, about rock ‘n’ roll and that music, and then it teaches them maybe about what else happened in the country, maybe look at a little history, maybe ask why John Kennedy was shot and who did it, maybe ask why all our leaders were shot in the 1960s and who did it, maybe start to look at war and the stupidity of it — if that can happen, then the song really is serving a wonderful purpose and a positive purpose.”

It climaxed in the huge sing-along-chorus: “We were singin’, ‘Bye-bye, Miss American pie’/Drove my Chevy to the levee, but the levee was dry/Them good old boys were drinkin’ whiskey ‘n rye/And singin’, “This’ll be the day that I die.”

“I said, ’Wow, that is something. I don’t know what it is, but it’s exactly what I’ve been wanting to try to get ahold of — that feeling about Buddy Holly — for all these years and that plane crash,” McLean tells the AP. “I always feel a tug inside me whenever I think about Buddy.”

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