10cc - I'm Not in Love (1975) (Lyrics - Letras) (Sub)(X) Traducida

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Video/audio edited & remastered by J.R. RAMOS CHANNEL

Traducción 100% libre, coloquial y sin sofisticadas pretensiones académicas con la única intención de agudizar un poco el oído y combatir tres (03) grandes errores de quienes manejamos el Inglés como idioma secundario:

1) El llamado MONDEGREEN, a word or phrase resulting from a misinterpretation of a word or phrase that has been heard
(Una palabra o frase que resulta de la mala interpretación de una palabra o frase que se ha escuchado)

2) El llamado EGGCORN: a word or phrase that is a seemingly logical alteration of another word or phrase that sounds similar and has been misheard or misinterpreted, as "old wise tale" for "old wives tale".
(Una palabra o una frase que es una alteración aparentemente lógica de otra palabra o frase que suena similar y ha sido mal escuchada o mal interpretada, como "sabia vieja historia" por "cuento de viejas".)

3) El llamado MALAPROPISM: an act or habit of misusing words ridiculously, especially by the confusion of words that are similar in sound.
(Acto o hábito del mal uso de las palabras ridículamente, sobre todo por la confusión de las palabras que son similares en sonido).

De Wikipedia:
"I'm Not in Love" es una canción escrita por Eric Stewart y Graham Gouldman, ambos miembros del grupo inglés 10cc que forma parte del álbum "The Original Soundtrack". La letra revela a un narrador negándose al amor, como representa el nombre del ostensible tema. Es el lado B de "Good News" que también apareció como un bonus tracken la versión japonesa.

La canción se destaca por el notable sonido de las voces, pudiendo cantar junto con los acordes cromáticos. Al reducir los bucles, cada uno figuraba en las notas básicas de los acordes utilizados en este tema. Estos bucles de coro podían reducirse mediante el uso del teclado, cada acorde podía sonar al presentar el atenuador del bucle. El interludio instrumental, lo presentaba la repetida frase de "Be quiet, big boys don't cry...", hablada por la recepcionista del estudio de la banda Kathy Warren. La frase sirvió de inspiración más tarde para el nombre de la banda Boys Don't Cry de la década de los 80's.

This song revolves around the singer or narrator repeating several times "I'm not in love" but at the end of the song he realises that he is deceiving himself.
-(Esta canción gira en torno al cantante o narrador repitiendo varias veces "Yo no estoy enamorado", pero al final de la canción se da cuenta de que se está engañando a sí mismo).

A collaborative effort built around a title by Eric Stewart, "I'm Not in Love" is notable for its innovative production, especially its choral backing.

The song was originally written around a bossa nova beat, but group member Lol Creme suggested slowing the tempo, while another group member, Kevin Godley, suggested replacing the beat with a built-up wall of voices.

The ethereal sound was created by laboriously building up multiple overdubs of the voices of Stewart, Graham Gouldman, Godley and Creme singing a single note in unison. This multi-track was then mixed and dubbed down onto 16-track tape. This process was repeated across all 16 tracks to create a lush 256-voice "virtual" choir that could "sing" chromatic chords.[2] A number of these prepared multi-tracks were then cut into several endless loops, each of which contained the basic notes of the main chords used in the song. The chorus loops could then be played by using the mixing desk rather like a keyboard—each chord could be sounded by bringing up the fader for that loop. The instrumental break featured the repeated spoken phrase, "Big boys don't cry...", spoken by Kathy Warren, the receptionist of their own Strawberry Studios where the band recorded the track. These whispered lyrics would later serve as the inspiration for the name of the 1980s band Boys Don't Cry.

In this pre-sampler period, the group was able to simulate a large polyphonic choir, creating a dramatic tonal effect similar to that produced by the well-known choir sounds of the Mellotron and Birotron, but with a far richer sound, and in full stereo. The same voice loop effect was used in Billy Joel's ballad "Just the Way You Are", released two years later.

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