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Learn EVERY CHORD on Guitar in 3 MINS!
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TODAYS VIDEO⇲
Not really every chord but not far off! That wouldn't be a catchy title now would it!
Instead of creating a boring lesson explaining each chord I thought I'd incorporate all the extended chords into tracks that you can play along with and learn.
This is only in the key of C and using the A position but you can move the root note around and change the key to whatever you wish. (root note is the circular dot in white not black). Let me know if this video helps you and I will continue the series exploring more chord shapes and scales.
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⭐⭐⭐⭐⭐ (Get 20% off with code 'GoldenArmy')
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BASIC THEORY TO HELP
In any Harmonised scale there are 7 chords numerically named I, II, III, IV, V, VI, VII (1-7) - every pop/rock song will be taking chords from this in different orders and types.
They all keep the same pattern of;
I - Major chord
II- Minor chord
III - Minor chord
IV - Major Chord
V - Major (or dominant)
VI - Minor
VII - Diminished
HOWEVER as you extend the chord or add more notes such as 7ths, 9ths, 11ths, 13ths the names change and they sound a bit more jazzy but each numeric number eg IV (4) will stay a major chord when changed into other chords eg. Major 7th, Major 9th, Maj 11th ect ect . THE IMPORTANT THING TO REMEMBER is that they are still all I-VII - seven chords in a scale just named silly extentions eg Gminor eleven flat nine chord (essentially just number III (3) in the extended 11th harmonised scale which is basic theory is a minor chord)
WRITING A SONG WITH NUMERIC NUMERS 1-7 AND SOLOING
I challenge you to randomly write down some numeric numbers lets say VI, II, IV, V, I (6,2 4, 5,1 ) then play these and record them as a song. They will all be in the same harmonised scale and sound great together. So to solo over the top In this video I am using the key of C so you can play C Major scale over any of these chords in your progression and it will sound great.
Try spicing up your progression by making VI, II, IV, V, I all 7th chords instead of basic chords so you have [ VI - Am7],[ II - Dm7], [ IV- FMaj7], [V - GDom7], [ I - CMaj7]. You can also randomly make certain chords either 9ths, 11th, 13th ect ect
Now go have some fun!
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MY GEAR & RECOMMENDATIONS⇲
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DISCLAIMERS:
Some of these links have an affiliate code, if you purchase with these links I will receive a small commission at no additional cost to you and it supports my channel. Thank you! 🙏
-----------------------------------------------------------
📲 SOCIALS:
-----------------------------------------------------------
#KarlGolden #Guitar #EveryChord
TODAYS VIDEO⇲
Not really every chord but not far off! That wouldn't be a catchy title now would it!
Instead of creating a boring lesson explaining each chord I thought I'd incorporate all the extended chords into tracks that you can play along with and learn.
This is only in the key of C and using the A position but you can move the root note around and change the key to whatever you wish. (root note is the circular dot in white not black). Let me know if this video helps you and I will continue the series exploring more chord shapes and scales.
------------------------------------------------------------
⭐⭐⭐⭐⭐ (Get 20% off with code 'GoldenArmy')
-------------------------------------------------------------
BASIC THEORY TO HELP
In any Harmonised scale there are 7 chords numerically named I, II, III, IV, V, VI, VII (1-7) - every pop/rock song will be taking chords from this in different orders and types.
They all keep the same pattern of;
I - Major chord
II- Minor chord
III - Minor chord
IV - Major Chord
V - Major (or dominant)
VI - Minor
VII - Diminished
HOWEVER as you extend the chord or add more notes such as 7ths, 9ths, 11ths, 13ths the names change and they sound a bit more jazzy but each numeric number eg IV (4) will stay a major chord when changed into other chords eg. Major 7th, Major 9th, Maj 11th ect ect . THE IMPORTANT THING TO REMEMBER is that they are still all I-VII - seven chords in a scale just named silly extentions eg Gminor eleven flat nine chord (essentially just number III (3) in the extended 11th harmonised scale which is basic theory is a minor chord)
WRITING A SONG WITH NUMERIC NUMERS 1-7 AND SOLOING
I challenge you to randomly write down some numeric numbers lets say VI, II, IV, V, I (6,2 4, 5,1 ) then play these and record them as a song. They will all be in the same harmonised scale and sound great together. So to solo over the top In this video I am using the key of C so you can play C Major scale over any of these chords in your progression and it will sound great.
Try spicing up your progression by making VI, II, IV, V, I all 7th chords instead of basic chords so you have [ VI - Am7],[ II - Dm7], [ IV- FMaj7], [V - GDom7], [ I - CMaj7]. You can also randomly make certain chords either 9ths, 11th, 13th ect ect
Now go have some fun!
-------------------------------------------------------------
MY GEAR & RECOMMENDATIONS⇲
-------------------------------------------------------------
DISCLAIMERS:
Some of these links have an affiliate code, if you purchase with these links I will receive a small commission at no additional cost to you and it supports my channel. Thank you! 🙏
-----------------------------------------------------------
📲 SOCIALS:
-----------------------------------------------------------
#KarlGolden #Guitar #EveryChord
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