How Ginny Williams Beat The Market by Collecting Female Artists

Ginny Williams could spot a masterpiece a mile away. And in spite of the fact that the market largely overlooked female artists including Helen Frankenthaler, Lee Krasner and Joan Mitchell, Ginny knew their value and collected them anyway. In this episode of Expert Voices, join Cotemporary Art specialists Saara Pritchard and Elizabeth Webb in an exploration of Ginny’s extensive collection, which will be offered across a series of sales this summer, beginning with a dedicated evening sale on 29 June. From early drawings by Louise Bourgeois to monumental masterworks like Joan Mitchell’s Straw, Ginny’s collection encompasses the best of 20th century contemporary artists.

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[claudiamendez]

Bravo for women’s painters it’s about time for female empowerment in the arts‘world

[RostykMakushak]

Oh ya ☻ that ugly spider @4:00 (that many residents and visitors of Ottawa despise) is still standing in front of the National Gallery of Canada

[JW-vofi]

Anything, no matter what it is, as long as it is framed and then placed in a spacious hall, will look expensive.

[tradcatholic]

Amazing how the word "EVOKES" is the boring mantra of an art critic who becomes an advert tool by not telling the TRUTH and engages in priapistic perveracation.