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Painting the LARGE STRUCTURES of the FACE | The Daily Yupari

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In today's video we complete the form pass for the underpainting of the face. We will explore the large areas of the face in much more detail than ever before. For instance, the complexity in tonal shifts just beneath the cheek bone, and the subtle edges surrounding the mouth.
In tomorrow's video we will venture onto the hair, background, clothing, and finish up the underpainting. I hope you have a great rest of your day, and I'll be back in 24 hours!
If you would like to be updated on new content on a regular basis please like/follow my Facebook page:
The materials used in this video are listed below,
Oil Paints:
Winsor & Newton- Raw Umber
Williamsburg- Flake White
Thinner/Brush Cleaner: Chelsea Classical Studio Citrus Essence
Painting Medium: Gamblin Neo-Megilp
Panel: 24x24” Mdf panel gessoed with Liquiex Professional Acrylic Gesso (3 coats) and toned with Burnt Umber Oil Paint
Brushes Used:
Princeton Summit 2 Round 6100R
Master's Touch size 1 round
Princeton Select 2 Fan brush
In tomorrow's video we will venture onto the hair, background, clothing, and finish up the underpainting. I hope you have a great rest of your day, and I'll be back in 24 hours!
If you would like to be updated on new content on a regular basis please like/follow my Facebook page:
The materials used in this video are listed below,
Oil Paints:
Winsor & Newton- Raw Umber
Williamsburg- Flake White
Thinner/Brush Cleaner: Chelsea Classical Studio Citrus Essence
Painting Medium: Gamblin Neo-Megilp
Panel: 24x24” Mdf panel gessoed with Liquiex Professional Acrylic Gesso (3 coats) and toned with Burnt Umber Oil Paint
Brushes Used:
Princeton Summit 2 Round 6100R
Master's Touch size 1 round
Princeton Select 2 Fan brush
Painting the LARGE STRUCTURES of the FACE | The Daily Yupari
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