Kurt Atterberg - Symphony No. 7, Op. 45

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Kurt Atterberg (1887 - 1974)
Symphony No. 7, Op. 45 - "Sinfonia Romantica"

I. Drammatico - 00:00
II. Semplice - 10:19
III. Feroce - 21:49

SWR Radio-Sinfonieorchester Stuttgart
Ari Rasilainen, Conductor
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Atterberg is one of my favourite late-romantic composers.... His slow movements never disappoints me, creates the calmness just like a cinematic visualized version of so.

julianfwong
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In the outcome of Atterberg, the tone of this symphony is rather heroic . It is very well written.

gerardbegni
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The solemnity of this performance is splendid

shin-i-chikozima
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Kurt Atterbergs dramatic and intense touch is unsurpassed if you ask me. The slow movements are equal in some sense incredible suggestive, passing to the other side music.

perhagenas
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This music has a modern feel to it, somewhat like listening to an epic movie score. I really enjoyed the tonal composition and many interwoven themes.

robertcohn
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It's about time I got to know the Atterberg symphonies. Much thanks goes to CPO for not deleting this!

corners
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Bellísima.He escuchado varias sinfonías y no hay una que no me guste.Maravillosas .Me falta escuchar la novena.

jorgesavarino
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Kurt Atterberg construit ses architectures sonores comme un mouvement de masses sonores qui se heurtent à des vitesses fulgurantes et sous tellement d’angles différents, délimités comme des zones de couleurs irisés sur une carte, tout en mouvements gracieux !

MegaCirse
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12:42, 15:18, 21:55, 23:51, illusion of accelerando at 28:10

katjao.h.
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I liked the earlier symphonies 1 - 4 better. This one is OK to my listening ears, but worth revisiting as far as I am concerned.

bowerdw
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The first movement theme has rythmic similarities from the third movement of his Dollar symphony.

aramkhachaturian
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I can't really listen to this without Vittorioso, I fear.

bomcabedal
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I love this symphony. Up until the cloying “Irish Jig” third movement. It’s off-putting and a collapse of Atterberg’s usually remarkable musical construction and invention.

rtbuck
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Somewhat cinematic but conservative, this Symphony has a circus-like air about it; it lacks good developments, and its finale seems trite and too repetitive. It reminded me of Khatchaturian at 12:53 forward; of Vaughan Williams at 18:34; of Borodin at 19:23, although nowhere exhibiting the originality, or the reason for the highest-regarded status, of any of these three composers.

ronaldbwoodall