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Secret Formula for Drafting 18th Century Stay, Bodice, & Jacket Patterns (to your own measurements)
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Discussing the basic concepts of conical bodice patterning. The 18th Century silhouette is a mystery that I must unravel, before it unravels me. But I think I figured out a big piece of the puzzle. My entire hypothesis is that despite the apparent complexity of 18th century patterns, they MUST have a simpler root. Occam's Razor: the simplest solution is almost always the best. There must be a reason clothing evolved like this, and simple patterns were a more natural solution for common people of the day who weren't fashion designers, people who just needed *clothes*. So my theory is that, quite opposite of these patterns being complex and unnatural, they must actually be simple to draft and fit to yourself, if only you know how.
In case you missed it in the last video description, the Outlander facebook group is currently taking orders for three different tweeds. Claire's Mist and Stone skirt tweed, the green plaid for Claire's S1 dress, and the plaid for Jaime's S1 coat! Orders close January 2nd.
FIND ME ELSEWHERE
1. Show me a Sign - Mica Emory
2. Let it go Now - Mica Emory
3. Swing with You - Mica Emory
4. The Way I am - Mica Emory
5. Too Excited - Mica Emory
In case you missed it in the last video description, the Outlander facebook group is currently taking orders for three different tweeds. Claire's Mist and Stone skirt tweed, the green plaid for Claire's S1 dress, and the plaid for Jaime's S1 coat! Orders close January 2nd.
FIND ME ELSEWHERE
1. Show me a Sign - Mica Emory
2. Let it go Now - Mica Emory
3. Swing with You - Mica Emory
4. The Way I am - Mica Emory
5. Too Excited - Mica Emory
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