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Roger Waters 'I'ts a Miracle' Music Video (HD) 2022
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It's a Miracle (HD) Music Video
Artist: Roger Waters
Album: Amused to Death
Released: 1991
A music video for you to enjoy.
Dreamers of the New Age Music Video Fan Tribute.
Miraculous you call it, babe
You ain't seen nothing yet
They've got Pepsi in the Andes
They've McDonalds in Tibet
Yosemite's been turned into
A golf course for the Japs
And the Dead Sea is alive with rap
Between the Tigris and Euphrates
There's a leisure centre now
They've got all kinds of sports
They've got Bermuda shorts
They had sex in Pennsylvania
A Brazilian grew a tree
And a doctor in Manhattan
Saved a dying man for free
It's a miracle
It's a miracle
It's a miracle
Another miracle
By the grace of God Almighty
And the pressures of marketplace
The human race has civilized itself
It's a miracle
We've got a warehouse of butter
We've got oceans of wine
We've got famine when we need it
We've got a designer crime
We've got Mercedes
We've got Porsche
Ferrari and Rolls Royce
Yeah...
We've got a choice
She said meet me
In the Garden of Gethsemane my dear
The Lord said Peter I can see
Your house from here
An honest man
Finally reaped what he had sown
And a farmer in Ohio has just repaid a loan
It's a miracle
It's a miracle
It's a miracle
Another miracle
By the grace of God Almighty
And pressures of marketplace
The human race has civilized itself
It's a miracle
We cower in our shelters
With our hands over our ears
Lloyd-Webber's awful stuff
Runs for years and years and years
An earthquake hits the theatre
But the operetta lingers
Then the piano lid comes down
And breaks his fucking fingers
It's a miracle
Source: Musixmatch
Songwriters: George Roger Waters
It’s a Miracle lyrics © Roger Waters Music Overseas Ltd
In "It's a Miracle," Waters makes a scathing reference to Andrew Lloyd Webber (whom he would accuse elsewhere of having plagiarised music from Pink Floyd's "Echoes" for sections of the musical The Phantom of the Opera) The same song features a sample from the 1977 low-budget zombie film Shock Waves in which the film's characters wrestle over a flashlight. The title track begins with the lyric, "Doctor, Doctor." "Take Up Thy Stethoscope and Walk" on The Piper at the Gates of Dawn, the first song written by Waters, opens with the same line.
The album is loosely organized around the idea of an ape randomly switching channels on a television, but explores numerous political and social themes, including critiques of the First Gulf War in "The Bravery of Being Out of Range" and "Perfect Sense."
The first track, "The Ballad of Bill Hubbard," features a recording of the voice of World War I veteran Alfred Razzell [de], a member of the Royal Fusiliers who describes his account of finding fellow soldier William "Bill" Hubbard, to whom the album is dedicated, severely wounded on the battlefield. After failed attempts to take him to safety, Razzell is forced to abandon him in no-man's land. The tale is continued at the end of the title track, at the very end of the album, providing a coda to the tragic story, with Razzell describing how he finally found peace.
The second song, "What God Wants, Part I", follows and contrasts the moving words of Razzell by opening with the TV being tuned instead into an excerpt of a child who says, "I don't mind about the war. That's one of the things I like to watch – if it's a war going on. 'Cos then I know if, um, our side's winning, if our side's losing..." he is then interrupted by the channel being changed and a burst of ape-chatter.
"Perfect Sense" is a two-part song about a world where live transmissions of wars are the main form of entertainment.
"The Bravery of Being Out of Range" includes a reference to a song written by Waters on Pink Floyd's 1977 album Animals, "Sheep", and to "Swing Low, Sweet Chariot". In "Sheep," Waters sings, "I've looked over Jordan and I have seen, things are not what they seem"; in "The Bravery of Being Out of Range," he sings "I looked over Jordan and what did I see? I saw a U.S. Marine in a pile of debris."
"Late Home Tonight, Part I," which opens with the song of a Eurasian skylark, recalls the 1986 US air strike against Libya from the perspective of two "ordinary wives" and a young American F-111 pilot. The lyrics about "when you take the jeans from the refrigerator" reference a 1985 Levi's 501 commercial.
At the beginning of "What God Wants, Part II," Charles Fleischer (better known as the voice of Roger Rabbit) performs the greedy teleevangelist's sermon. The lyrics about God wanting silver, gold and "his secret never to be told" reference the nursery rhyme, One for Sorrow. "What God Wants, Part III" musically references the Pink Floyd songs "Shine On You Crazy Diamond (Part I)," "Echoes" and "Breathe (In the Air)". It ends with an audio clip of Tom Bromley, an elderly WWI veteran, singing "Wait 'Till the Sun Shines, Nellie" a capella. The clip is also from "A Game of Ghosts
Artist: Roger Waters
Album: Amused to Death
Released: 1991
A music video for you to enjoy.
Dreamers of the New Age Music Video Fan Tribute.
Miraculous you call it, babe
You ain't seen nothing yet
They've got Pepsi in the Andes
They've McDonalds in Tibet
Yosemite's been turned into
A golf course for the Japs
And the Dead Sea is alive with rap
Between the Tigris and Euphrates
There's a leisure centre now
They've got all kinds of sports
They've got Bermuda shorts
They had sex in Pennsylvania
A Brazilian grew a tree
And a doctor in Manhattan
Saved a dying man for free
It's a miracle
It's a miracle
It's a miracle
Another miracle
By the grace of God Almighty
And the pressures of marketplace
The human race has civilized itself
It's a miracle
We've got a warehouse of butter
We've got oceans of wine
We've got famine when we need it
We've got a designer crime
We've got Mercedes
We've got Porsche
Ferrari and Rolls Royce
Yeah...
We've got a choice
She said meet me
In the Garden of Gethsemane my dear
The Lord said Peter I can see
Your house from here
An honest man
Finally reaped what he had sown
And a farmer in Ohio has just repaid a loan
It's a miracle
It's a miracle
It's a miracle
Another miracle
By the grace of God Almighty
And pressures of marketplace
The human race has civilized itself
It's a miracle
We cower in our shelters
With our hands over our ears
Lloyd-Webber's awful stuff
Runs for years and years and years
An earthquake hits the theatre
But the operetta lingers
Then the piano lid comes down
And breaks his fucking fingers
It's a miracle
Source: Musixmatch
Songwriters: George Roger Waters
It’s a Miracle lyrics © Roger Waters Music Overseas Ltd
In "It's a Miracle," Waters makes a scathing reference to Andrew Lloyd Webber (whom he would accuse elsewhere of having plagiarised music from Pink Floyd's "Echoes" for sections of the musical The Phantom of the Opera) The same song features a sample from the 1977 low-budget zombie film Shock Waves in which the film's characters wrestle over a flashlight. The title track begins with the lyric, "Doctor, Doctor." "Take Up Thy Stethoscope and Walk" on The Piper at the Gates of Dawn, the first song written by Waters, opens with the same line.
The album is loosely organized around the idea of an ape randomly switching channels on a television, but explores numerous political and social themes, including critiques of the First Gulf War in "The Bravery of Being Out of Range" and "Perfect Sense."
The first track, "The Ballad of Bill Hubbard," features a recording of the voice of World War I veteran Alfred Razzell [de], a member of the Royal Fusiliers who describes his account of finding fellow soldier William "Bill" Hubbard, to whom the album is dedicated, severely wounded on the battlefield. After failed attempts to take him to safety, Razzell is forced to abandon him in no-man's land. The tale is continued at the end of the title track, at the very end of the album, providing a coda to the tragic story, with Razzell describing how he finally found peace.
The second song, "What God Wants, Part I", follows and contrasts the moving words of Razzell by opening with the TV being tuned instead into an excerpt of a child who says, "I don't mind about the war. That's one of the things I like to watch – if it's a war going on. 'Cos then I know if, um, our side's winning, if our side's losing..." he is then interrupted by the channel being changed and a burst of ape-chatter.
"Perfect Sense" is a two-part song about a world where live transmissions of wars are the main form of entertainment.
"The Bravery of Being Out of Range" includes a reference to a song written by Waters on Pink Floyd's 1977 album Animals, "Sheep", and to "Swing Low, Sweet Chariot". In "Sheep," Waters sings, "I've looked over Jordan and I have seen, things are not what they seem"; in "The Bravery of Being Out of Range," he sings "I looked over Jordan and what did I see? I saw a U.S. Marine in a pile of debris."
"Late Home Tonight, Part I," which opens with the song of a Eurasian skylark, recalls the 1986 US air strike against Libya from the perspective of two "ordinary wives" and a young American F-111 pilot. The lyrics about "when you take the jeans from the refrigerator" reference a 1985 Levi's 501 commercial.
At the beginning of "What God Wants, Part II," Charles Fleischer (better known as the voice of Roger Rabbit) performs the greedy teleevangelist's sermon. The lyrics about God wanting silver, gold and "his secret never to be told" reference the nursery rhyme, One for Sorrow. "What God Wants, Part III" musically references the Pink Floyd songs "Shine On You Crazy Diamond (Part I)," "Echoes" and "Breathe (In the Air)". It ends with an audio clip of Tom Bromley, an elderly WWI veteran, singing "Wait 'Till the Sun Shines, Nellie" a capella. The clip is also from "A Game of Ghosts
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