THE PROBLEM WITH RESOLVE'S FILM LUTS...

✩FREE LUTS DOWNLOAD:

✩MY COLOR GRADING COURSE!

-------------------------

0:00 INTRO
0:34 WHERE TO FIND PRINT FILM LUTS
0:57 HOW TO USE RESOLVE'S FILM LUTS
2:33 4 DRAWBACKS TO RESOLVE’S FILM LUTS
2:36 1) DISPLAY REFERRED VS. SCENE REFERRED
4:09 2) INNEFECIENT
4:28 3) CAN'T ADJUST INTENSITY
5:04 4) COLOR MANAGEMENT LIMITATIONS
6:14 MY SOLUTION
7:58 WHY THESE LUTS ARE WINNERS
8:40 COLOR MANAGEMENT SETTINGS
9:16 OUTRO

Music by:
ooyy via Epidemic Sound

[jvke.p]

UPDATE! In response to multiple requests, I’ve just updated the link to include 3 ADDITIONAL LUTs which WILL work in Premiere/FCPX.

These 3 additional luts are mapping REC709-REC709 so they will be applied on top of your corrected footage. If you’re using LUMETRI in Premiere, use your Technical Lut drop-down to apply your Log-Rec709 lut, and the Creative Lut drop-down to apply this new Rec709_2383 Lut.

You can download them here: go.jvke.us/2383

[itsbonart]

Man, I'm diving head first into Resolve grading and it's so confusing looking for the right video to watch, as every single one has a different approach and doesn't really explain specific transforms, etc. Thank you so much for showing EXACTLY what is happening behind the scenes!

[raymondlinares]

You can always make a compound node of the CST node and 2383 lut to 709 transform and then you're able to adjust the key output without fading back into the cineon log. Transform.

It's nice though to have the lut designed to stay in your workflow color space. Good video!

[joyoffilming]

Very cool concept. Kodak 2383 is such a great look - and, now you unlocked its potential for three different managed color spaces, allowing to tune back the LUT effect a bit whenever needed. Thanks for sharing with us.

[DarrenMostyn]

Hi Jake. I'm excited to try this out! Thanks for sharing these!! All the best, Darren.

[mOo]

Only just discovered these looks and was working through the CST method in a color managed workflow, this is much easier thank you!

[RonaldKasper]

Ah man, this saves me so many color space transform nodes. Now I can simply switch to a color managed workflow. VERY helpful, thanks!

[jpsilvafilms]

Thank you for this video. We need more people like you in the community. From someone who is diving into color grading, there's a lot of people who "knows all" and would charge for this type of content.
You were straight to the point, you explained the problems and presented a simple and good solution (bonus points for providing it for free) . Definitely gained another sub

[Bo_Hazem]

Thanks a lot for the amazing lut! Dehancer Pro as well uses Rec.709 which can be limiting but played around with free trial and edited in the DWG and seems to respond well while keeping it at the very end of the nod tree.

[davecarrera]

Only recently dipped my toe into colour management and very much appreciate the time and free lut you have given. I wish you well.

[vigneshthota]

Used LUT's in my projects but this video has made it more clear. Thank You.

[Rey-jr]

I'm so thankful for this, always wanting to use this lut, just exactly how you explain.

[torreymerritt]

These are exactly the issues I was thinking about when trying to use the DaVinci 2383 LUT. This makes so much sense and thank you for making this video! Subscribed!

[c.dasilva]

Thank you for making and sharring this with us! Great Video also.

[Videomaker_Robin]

Im gonna test this soon! Sounds as a awesome solution! Thx for sharing the luts free🙏🏽

[Panther-]

I filmed using the a7iv in slog 3 and with the first node changed output to davinci wide gamut colourr space and added the Kodak look made a few primary adjustments and it came out looking the best grade I have done thus far tbh thank you, keep up the content...I have a few courses am taking on udemy and they dont teach this kind of stuff tbh

[JimRobinson-colors]

That's really great Jake.
The one you placed here, looks really good -
I will download and try them and I thank you in advance.
All great points about the limitations of the original versions.
The color management workflow in DWG is becoming really popular, so I was expecting at some point somebody would do this.
I have issues with the contrast curve on the original and started using layer nodes and adding the LUT on top and bottom ( same lut ) then changing the layer node composite mode to "Color".
Then selecting the top node and adjusting the node key - key output, I can pull out the contrast and leave the color - then apply my own curve and lock the mid grey and adding a filmic curve ( s-curve ).
Anyway thanks in advance for your generosity in giving people the LUTs - looking forward to trying them out. Cheers.

[rjaymolina]

These are great. Work perfectly. Well done and thank you!

[flaviovisuals]

Simple tip: put the CST Cineon output on the same node than the LUT, then when you adjust the intensity of the node everything goes down at the same rate and it works perfectly

[darkknightwithanidea]

A rising tide lifts all boats …… YOU just raised the Titanic ! Thanks Jake. 🎥🎬✒️🇫🇷