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Who was the Stand Out? | AXPONA 2023 Show Report
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Tom Martin, joined by TAS newcomer Cynthia Blankenship, review their favorite rooms, discoveries, and stand outs at AXPONA 2023.
More show coverage coming soon!
About Tom Martin:
Tom is a long-time audiophile. He began his reviewing career after acquiring the The Absolute Sound magazine in 1997 and then hi-fi+ magazine in 2002. He has worked closely with Harry Pearson and Robert Harley at TAS and with Roy Gregory and Alan Sircom at hi-fi+. Since Tom and his teams expanded the TAS and Plus platforms in the digital domain, he has served as Chief Content Officer.
About Cynthia Blankenship:
Cynthia converted to audiophilism 5 years ago when she first heard a pair of Magnepan 3.3Rs playing Die Moldau from Smetana's Ma Vlast. The ensuing journey would have her be a recurring guest on the Audiophiliac's channel, a Magnepan 1.7i ad in The Absolute Sound magazine, and shadowing Alan Sircom of hi-fi+. With what began as a hobby with a focus on human interest stories, 5 years later she will now be delving into the world of audio gear reviews for The Absolute Sound, HiFi+, and her own channel @TheAudioBelle
What Is The Absolute Sound?
The Absolute Sound magazine has been a leading publication in high-end audio since 1972. Since the early 2000s, The Absolute Sound has expanded to include web, newsletter, digital magazine, social media, YouTube and Substack platforms. The Absolute Sound platforms have a global audience of over 500,000 audiophiles.
Shot and edited by TAS Digital Managing Editor Charles Kinder
#hifi #audiophile #theabsolutesound
00:00 -05:16 Cabasse Standmount
05:16 - Diptyque Planar Magnetic Loudspeakers
09:17 -11:21 A Thought on Demo Tracks
11:21-14:13 Perlisten R210 + Sub
14:13-18:36 YG Acoustics Peaks Series
18:36-20:25 Atohm Bookshelf
20:25-23:04 Aretai Standmount Speaker
23:04-26:43 GoldenEar Loudspeaker
26:43-29:37 Luxman Turntable
29:37-32:23 Odyssey's Room
32:23-35:37 Linkwitz Reference Speaker
35:37- Ergonomics & Cables
More show coverage coming soon!
About Tom Martin:
Tom is a long-time audiophile. He began his reviewing career after acquiring the The Absolute Sound magazine in 1997 and then hi-fi+ magazine in 2002. He has worked closely with Harry Pearson and Robert Harley at TAS and with Roy Gregory and Alan Sircom at hi-fi+. Since Tom and his teams expanded the TAS and Plus platforms in the digital domain, he has served as Chief Content Officer.
About Cynthia Blankenship:
Cynthia converted to audiophilism 5 years ago when she first heard a pair of Magnepan 3.3Rs playing Die Moldau from Smetana's Ma Vlast. The ensuing journey would have her be a recurring guest on the Audiophiliac's channel, a Magnepan 1.7i ad in The Absolute Sound magazine, and shadowing Alan Sircom of hi-fi+. With what began as a hobby with a focus on human interest stories, 5 years later she will now be delving into the world of audio gear reviews for The Absolute Sound, HiFi+, and her own channel @TheAudioBelle
What Is The Absolute Sound?
The Absolute Sound magazine has been a leading publication in high-end audio since 1972. Since the early 2000s, The Absolute Sound has expanded to include web, newsletter, digital magazine, social media, YouTube and Substack platforms. The Absolute Sound platforms have a global audience of over 500,000 audiophiles.
Shot and edited by TAS Digital Managing Editor Charles Kinder
#hifi #audiophile #theabsolutesound
00:00 -05:16 Cabasse Standmount
05:16 - Diptyque Planar Magnetic Loudspeakers
09:17 -11:21 A Thought on Demo Tracks
11:21-14:13 Perlisten R210 + Sub
14:13-18:36 YG Acoustics Peaks Series
18:36-20:25 Atohm Bookshelf
20:25-23:04 Aretai Standmount Speaker
23:04-26:43 GoldenEar Loudspeaker
26:43-29:37 Luxman Turntable
29:37-32:23 Odyssey's Room
32:23-35:37 Linkwitz Reference Speaker
35:37- Ergonomics & Cables
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