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Jaws 1975: Out To the Ocean+Shark Hunt
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"Jaws", 1975 American film directed by Steven Spielberg and based on Peter Benchley's 1974 novel of the same name.
Police chief Martin Brody (Roy Scheider) with a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw). Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife.
Shot mostly on location on Martha's Vineyard in Massachusetts, Jaws had a troubled production, going over budget and past schedule. As the art department's mechanical sharks often malfunctioned, Spielberg decided to mostly suggest the shark's presence, employing an ominous and minimalistic theme created by composer John Williams to indicate its impending appearances.
Spielberg and others have compared this suggestive approach to that of thriller director Alfred Hitchcock. Universal Pictures gave the film what was then an exceptionally wide release for a major studio picture, on over 450 screens, accompanied by an extensive marketing campaign with a heavy emphasis on television spots and tie-in merchandise.
It became the highest-grossing film of all time until the release of Star Wars in 1977.
Both films were pivotal in establishing the modern Hollywood business model, which revolves around high box-office returns from action and adventure pictures with simple high-concept premises released during the summer in thousands of theaters and heavily advertised.
It was followed by three sequels, all without Spielberg or Benchley, and many imitative thrillers. In 2001, it was selected by the Library of Congress for preservation in the United States National Film Registry, being deemed "culturally, historically, or aesthetically significant".
Police chief Martin Brody (Roy Scheider) with a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw). Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife.
Shot mostly on location on Martha's Vineyard in Massachusetts, Jaws had a troubled production, going over budget and past schedule. As the art department's mechanical sharks often malfunctioned, Spielberg decided to mostly suggest the shark's presence, employing an ominous and minimalistic theme created by composer John Williams to indicate its impending appearances.
Spielberg and others have compared this suggestive approach to that of thriller director Alfred Hitchcock. Universal Pictures gave the film what was then an exceptionally wide release for a major studio picture, on over 450 screens, accompanied by an extensive marketing campaign with a heavy emphasis on television spots and tie-in merchandise.
It became the highest-grossing film of all time until the release of Star Wars in 1977.
Both films were pivotal in establishing the modern Hollywood business model, which revolves around high box-office returns from action and adventure pictures with simple high-concept premises released during the summer in thousands of theaters and heavily advertised.
It was followed by three sequels, all without Spielberg or Benchley, and many imitative thrillers. In 2001, it was selected by the Library of Congress for preservation in the United States National Film Registry, being deemed "culturally, historically, or aesthetically significant".
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