GLUE kick and bass together 🚀

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Production Music Live, Anjunadeep

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We are PML (Production Music Live), a small group music producers with an insatiable passion for great sound design, audio engineering and electronic music production. We share our knowledge and skills on YouTube and also via in-depth Start-To-Finish production courses on our website. Make sure to stick around and subscribe, there's a lot more coming up!

Thanks for watching today and feel free to share the video with someone!

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[ProductionMusicLive]

Some people have commented on the attack and how the transients get affected too much: That would be the case if you were using the compressor in series. But here we’re using it in parallel, so it only adds to the original sound, while the original sound (with the original transients) stays intact.

[dopedrums]

Yes, I'll have one massive unit, please. Hold the techno.

[devrolo]

Just regular compression and a dynamic EQ would do the same thing without absolutely destroying the sub bass.

[RealJaybeeMusic]

In my projects I like to create a bus for low end sounds. Kick, sub, bass synths. Sidechain the sub/bass to the kick SLIGHTLY so that the transient is still there, then parallel comp with slow attack/ fast release. On my compressor I usually have the dry/wet at about 20-40% depending on the song.

The idea is to preserve transients and retain dynamic contrast. You're not smashing the two together; you're making them play nice with each other while also ensuring that it can be played back accurately on different systems.

[pacre]

meh this isnt glue.. this is increasing the sustain of the subs for both kick n bass making the sub level objectively higher and occurring for longer... it actually makes it muddier.. what you need to do to glue is actually reduce the sub on the bass a little over time.. such as a slight tremolo on only the sub frequencies on the bassline.. then duck the bass so the kick comes through and you get a clean sub that isnt as sausage.. then you can boost volume and you have loud.. tight distinctly clean kick/bass that works together

[Dean-ps]

I’ve always wanted to see this short video format for music production. People don’t want a 15 minute ‘what is compression?’ tutorial just to learn a quick trick. Thank you and keep it up 👍🏼

[JayM]

Sounds awesome. Wish I understood better.

[SeFu]

How about just use phase inversion to mix them together and then add a compressor for glue?

[russcontact]

Definitely listening to a massive unit here

[whyyoumakethissohard]

Your example is louder with the return track. Loudness Bias.

[jojojo]

The kick is tuned to the bass ( I would say G ). What when bass note changes?

[NoizeLondon]

Gonna get a lot of peaks from this that will affect your headroom. Put a limiter after the compressor to make sure this doesn’t happen

[GB]

I want my unit to be even more massive!

[hoonjig]

is this better than sidechaining the kick on the glue comp? if so why?

[Kai_soze]

You can glue the kick and bass together by sample/preset sound selection. Simple only
For seasoned ears

[PolymerJones]

Luna and Studio One, do they have a glue compressor ??

[p.b]

ALWAYS USE A SPECTROSCOPE LIKE PSYSCOPE FOR EXAMPLE.. JUST TO SEE WHAT YOU ARE DOING TO YOUR SOUND IT WILL MAINTAIN YOU AWAY FROM SUCH DRAMATIC DECISION ON YOUR LOW END

[PolymerJones]

Is the send prefader or postfader, is the dry signal muted ?

[matthieubarbemusique]

You wanna glue kick and bass together ? Think about the phase. Just the phase.

[Toxictoast]

You're going to become a massive unit 😂