American Boy Comes To London To Learn The Blues

Joseph turned up in London just to play some Boogie Woogie under the stairs.

[joentexas]

Someone back home in Arkansas told this kid to look for Dr. K. when he got to London. This kid, Joseph, will remember this for the rest of his life; and Mom has it on video. Dr. K spreading the musical word to generations the world over. Good stuff, Dr. K. Thanks.

[justuraverage]

Ah good on you mate for giving up your time to share your talents & enrich the lives of others. I absolutely love your work. The world is a much better place with people like you. I've never thought about this before but no-one entertains people in shopping centres here in Australia. I've never seen a musician doing his stuff in a shopping centre here in all my years. I wish you all the best. Regards, Mick

[margaretbourne-raiswell]

THANKS, Dr. K 😊Nothing like waking up to a little Yankee Doodle Dandy boogie...great way to start the day! Blessings from Maggie in Sequim, Washington, USA 💕

[DotAndDasho]

Music is the best universal language! ❤🎉

[SaraBosse-fz]

Brendan he is the best teacher, i advise for you the new beginner puanist ❤🎉

[alanlo]

Can anybody tell me where is the place in London that Mr. Brendon Kavanagh played the piano ? Does he plays it the same place & everyday ?

[rchandos]

Wouldn't a London boy normally come to America to learn the blues?

[scottgalbraith]

Lovely wee yankee doodle ( Joseph) went to town to meet Dr K. You go wee man. A new Amadeus in the making. 😊

[judymckee]

Uh..the blues were born in America.. strange..

[stopcensuraballeistituzionali]

"American Boy Comes To London To Learn The Blues" ????
it's true that the world is going upside down....
CHICAGO ...NEW ORLEANS ...

[skillet]

American music forms: Spirituals, , Blues, Ragtime, Jazz, Country, Gospel, Bluegrass, Folk, Rock n Roll, Doo-Wop, Soul, R&B, Funk, Disco, House and of course RAP and HIP HOP---all enjoy well documented Black American roots coupled with undeniable Black American influence---whether directly or indirectly..

Latinos -- puerto ricans particularly -- explain how you created or co-created yet another installment in the legacy of Black musical expression known as Rap and Hip Hop, yet didn't create or co-create any of the elements of the 14 or so Black American music forms that preceeded it? Or why you were nowhere to be found during the creative and inventive foundation outlining the forms of Black American musical expression, brilliance and greatness prior to the previous 14 or so Black American music forms that are mentioned above. Yet now, all of a sudden--and out of nowhere, you liars come along and falsely claim latinos and/or puerto ricans created or co-created Rap and Hip Hop 50/50 half n half (which is the evidence-free and utter nonsense being peddled by derrick colon, radical latino, adrina fat joe, krs-1, busta rhymes and numerous un-informed and envious latinos. And these of course are claims latinos never mentioned, verbalized or asserted during its inception or creation during the early 1970's). Latinos/puerto rican claims of "50/50--half & half creation and co-creation just don't add up---they make no sense and are increasingly coming under heavy scrutiny which is leading to these claims being easily debunked--as they should be.
Moreover, the heavily hateful and many times racist criticisms directed at the Black American youth by the racist and bigoted white media over having created Rap and Hip Hop.
Latinos -- particularly puerto ricans -- NEVER came forward to denounce the vicious and racist onslaught---yet 50 years later you folks want to take credit for this FBA art form and undeniable FBA culture that you folks did not create or

[skillet]

American music forms: Spirituals, , Blues, Ragtime, Jazz, Country, Gospel, Bluegrass, Folk, Rock n Roll, Doo-Wop, Soul, R&B, Funk, Disco, House and of course RAP and HIP HOP---all enjoy well documented Black American roots coupled with undeniable Black American influence---whether directly or indirectly..

Latinos -- puerto ricans particularly -- explain how you created or co-created yet another installment in the legacy of Black musical expression known as Rap and Hip Hop, yet didn't create or co-create any of the elements of the 14 or so Black American music forms that preceeded it? Or why you were nowhere to be found during the creative and inventive foundation outlining the forms of Black American musical expression, brilliance and greatness prior to the previous 14 or so Black American music forms that are mentioned above. Yet now, all of a sudden--and out of nowhere, you liars come along and falsely claim latinos and/or puerto ricans created or co-created Rap and Hip Hop 50/50 half n half (which is the evidence-free and utter nonsense being peddled by derrick colon, radical latino, adrina fat joe, krs-1, busta rhymes and numerous un-informed and envious latinos. And these of course are claims latinos never mentioned, verbalized or asserted during its inception or creation during the early 1970's). Latinos/puerto rican claims of "50/50--half & half creation and co-creation just don't add up---they make no sense and are increasingly coming under heavy scrutiny which is leading to these claims being easily debunked--as they should be.
Moreover, the heavily hateful and many times racist criticisms directed at the Black American youth by the racist and bigoted white media over having created Rap and Hip Hop.
Latinos -- particularly puerto ricans -- NEVER came forward to denounce the vicious and racist onslaught---yet 50 years later you folks want to take credit for this FBA art form and undeniable FBA culture that you folks did not create or