How to Write Ghibli Style Music

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In the 6th and final video of the series, we put together everything we've learned from our analysis and look at a template that you can use to make your music sound like it belongs in a Studio Ghibli Film!

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ive studied music for over a decade (mostly classical) and I can tell you are in touch with the divine creativity. Lovely composition and great analysis my friend.

remon
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Oh this is crazy! I was looking for a composing course online and didn't find anything interesting. Your channel is exactly what I'm looking for! Subscribed :)

hannahbanana
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Just wanted to say that this is one of the best channels on YouTube.

Keep going man, you’re an inspiration for a lot of people.

dorezra
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I just found this channel and I love it, it really seems crazy to me that it has so few visits, greetings from Venezuela.

iamchino
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Love it! What a great series! Thank you for you time and efforts! Gonna jump on your Patreon!

declancooney
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My man you got some beautiful talent😍 I absolutely adore the music

lukakorven
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Thank you so much for this series of ghibli videos :)

zeon
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amazing song i really thought it was an original song from ghibli at first

davids
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me thinking mmm... I guess using 2-3 whole octaves should be enough
meanwhile Joe Hisaishi: I'll just use all of them

GodSpeed
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I honestly think you should do more ghibli vids if you’re able to. You’re one of the first to pop up in the searches and I reckon you could have a great niche if you capitalise!

dylanduke
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Can I just clarify, at 3:53, the slide you have up states that we borrow in the minor scale from the “parallel major” but the “relative Phrygian” and “relative Lydian”. I wouldn’t have thought we would be borrowing any chords from the “relative” modes as they are composed of the same notes as our original minor.. was this meant to be the parallel Lydian and parallel Phrygian?

dylanduke
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Thank you so much for your videos!! I've just found your channel and it's SO good!! :D Amazing and helpful content!

erzloh
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A video about Counter Melodies - What they are for and how to use them - would be amazing =)

huggybeats
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Did you write this score in midi or played it so good man..

helemoonahmed
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Could you explain the structural function of each chord from 10:05 to 10:32? I'm trying to understand the functions of those chords in your composition. I'll put the chords and what I think their function is from a composition POV below:
1st phrase: Bm7 - F#m/A - Gadd9 - Em7
2nd phrase: Dmaj7 - C#5 - Gmaj7 - F#m

1st phrase: Bm7, F#m/A and Gadd9 are all a typical movement from I to VI, with bit of sense of tonic of prolongation. The final Em7 totally confuses though and I don't know what it's supposed to do.
2nd phrase: The Gmaj7 and F#m at the end are the typical VI-V cadence and then you loop changing the instrumentation. But I'm not sure what the Dmaj7 and the C#5 are supposed to be in the phrase exactly...

ChizFreak
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thanks so much for sharing your study, I got a question about borrowing chords from parallel modes, you think Hisaishi sticks mostly to these modes and these particular chords from the modes? I have been trying to change things and try chords that make no sense for little arrangements, and they sound very well and give the nostalgic/magic vibe

Leo-tlfd
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Do you have any spots for composing music for short films? I've been looking for composers than can do joe hisaishi like music for something i'm working on

walouinsanityshed
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So i tried this, and it sounded like a dying cat?

rickard.eriksson
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I'd be happy to donate when i get a banl account since im above 18 already!

joshsanchez