The 47 Ronin (1941 | 2160p)

The 47 Ronin (元禄 忠臣蔵, Genroku Chūshingura, "The Treasury of Loyal Retainers of the Genroku Era") is a black-and-white two-part jidaigeki Japanese film directed by Kenji Mizoguchi, adapted from a play by Seika Mayama.[3] The first part was released on December 1, 1941 with the second part being released on February 11 of the following year. The film depicts the legendary forty-seven Ronin and their plot to avenge the death of their lord, Asano Naganori, by killing Kira Yoshinaka, a shogunate official responsible for Asano being forced to commit seppuku.

Plot
The plot revolves around the consequences of an attack by Lord Asano Naganori on Lord Kira Yoshinaka, an influential court official in the Tokugawa Shogunate. After overhearing Kira insult him in public, Asano strikes Kira with a sword in the corridors of Edo Castle, but succeeds only in wounding him. As attacking a Shogunate official is a grave offense, Shogun Tokugawa Tsunayoshi sentences Asano to commit seppuku and issues an edict stripping the Asano Clan of their lands and wealth. Kira, meanwhile, is not punished by the Shogun because, it is thought, of family connections. As a result of the Shogun's judgement, all samurai loyal to the Asano Clan become rōnin while the late Lord Asano's family is ruined. Many of the rōnin wish to seek revenge against Kira for the dishonor of their Lord, but their leader, Ōishi Kuranosuke, convinces them to wait while he first petitions the Shogun to restore the Asano Clan. When the Shogun refuses his request, Ōishi and the other forty-six rōnin begin planning their revenge. But because Kira has surrounded himself with warriors in his residence, Ōishi first disarms suspicion by posing as a drunkard and womanizer, to his own dishonor, and goes to the length of divorcing his wife.

Almost two years after the death of Asano, the forty-seven assemble in Edo and stage an attack on Kira's residence, resulting in Kira and several of his followers being killed. This is not shown on the screen but is reported in a letter to Asano's wife, who has returned to her father. After laying Kira's head on Asano's grave and formally making a report of their actions before it, the forty-seven turn themselves in to the authorities. There is sympathy for the rōnin for their faithfulness and sacrifice in such difficult circumstances and the forty-seven are granted the honorable death of committing seppuku despite their act of defiance. This comes at the end of some months' deliberation and is greeted with singing and dancing by the warriors. Each is then summoned down the corridors of the castle to enact the sentence; Ōishi is left until last and courteously excuses himself to the visitor to his room when his turn comes.

[tatoarg]

This movie is for when you acquired a certain number of cultural common references. It's a tour de force. For example, the dance of Tomomori and camera traveling to Lord Kira must've been pretty self-explanatory to Japanese people, but not to most westerners.

Let's not forget it was meant as propaganda during WW2.