Color Correction Basics | Understanding Scopes

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Color Correction is one of the first steps you need to take when you're preparing your footage! Learn the basics of color correction theory, what it means, and how any beginner or pro can improve their footage with these easy techniques.

Download the Ansel Adams' Color Chart

Download HitFilm Express FOR FREE

Download the Color: Scopes add-on for HitFilm Express

Learn more about color grading in HitFilm

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Thrilled that we have Hitfilm in Vegas Effects! Keep sharing the gift, Tom!

ovationplayers
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I always found the scopes intimidating and so complicated that I didn't even use them. But now thanks to the video I understand them better. So Thanks🤝

aiphaton
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This was super informative and entertaining at the same time! Thanks Tom!

artlist_io
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Those covered so many areas I didn’t understand before. Good content 🚀

livatedvisuals
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thanks yall! really happy that this came out, ill try to use it soon!

TheBrickBro
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I usually like the fast paced tutorials and I get them; but with these kinds of tutorials on color correction and grading I really wish you would do a real class and take your time. I have watch all you color grading tutorials and I get the basic but we need a more methodical class/tutorial if at all possible.

jasonburks
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Guess a deeper introduction of each one of that features would be awesome for hitfilm users.

pracnac
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Oh no, I have so much to learn hahah. I've been using hitfilm / fx since I started my channel and have gotten by on just the brightness/contrast and a little temperature :D These colour corrections look beautiful!

ArticulateDesignASMR
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this is amazing i have really enjoyed all these lighting videos it has helped me alot

Radiantwear
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But Tom's tutorial sets users up to better understand my own dryer and more technical tutorials.

I'm thinking a future tutorial discussion of LUTs is in order. There's a fair amount of confusion over what they actually do (which is a very brute force remapping of values), but it should be clarifies that in a CORRECTION stage one is looking SPECIFICALLY for a LUT to convert there specific camera's raw footage into the correct REC 709/2020 color space before creative processing. Get a fair amount of users dropping random LUTs on uncorrected footage. The correction LUT should be first in the chain while a creative LUT should also usually come first in its chain.

Speaking of grading, either the grade on this was particularly heavy, Tom was wearing a nice pink lipstick, or he's just got a disgustingly pretty mouth. Sigh. We all just have to accept Tom is basically "model-hot."

HitfilmUniversity
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The high frame rate is the issue! I was like why does his video look… like video. It must be 30fps or even higher.

DFMoray
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Me: (Feels brave enough to start messing with colour wheel.)
Also me: Oh no.

adventurepantsmcgee
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I must be doing something wrong, because when I do a mask, the information from my scopes disappears.. I can't see anything in the waveform or the vectorscope. Does anyone know what I'm doing wrong? This is frustrating.... Ha.

stephanieburrell
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Wait... Isn't Tom color blind? How cool that he can color correct just by reading the Scopes data.

anthonysvfx
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There is quite a bit of misinformation here. If you've graded your footage, a LUT is only useful for a color space transform or a look

haroldmorganTulsa
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Another "snappy cut" video, so hard to take in the information. Delivered at too quick a pace. Thing is Hitfilm Exress is virtualy unusable it`s so buggy nowadays. I`ve returned to Sony, even though I added Add-on in Hitfilm because it`s unstable over last few months. 😢

xtopher
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You speak very, very fast. It's not good.

PauloRibeiro
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There's nothing to say about Color correct. Do something else.

bca
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Hey! Tom do have any idea on some 3d composition or any tutorial for us on hitfilm express?
I have also send a video on FXhome instagram id please check it out and if possible then please make a tutorial on it please 😃

Samdeeshh
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