Mamiya RB 67 Pro SD 3 month review 2022

In todays episode once again we shoot with my Mamiya rb 67 pro sd and with my workhorse cam canon 5d mark IV. This time we spend some time with my wife and son and we take a drive through Western Mass and visit with nature and become one with her.
Episode breakdown 1:47:32
Jen first look 3:37:56
Jen second look 5:31:15
Family outing 6:26:24
Mamiya review 13:11:00

[MyJuancho]

Me parece una Camara chevericima (awesome )..yo Creo que exactamente como usted lo dice es una Camara para studio ..no importa si es afuera ..pero hay que programar las Tomas ..y no pueden ser mas de 5 o 10 excelente Tomas...por que sale costoso $$$$cada pelicula...veo que su estilo es tomar las Fotos desde abajo...que TAL si trata de tomar algunas desde arriba....y si puede adquirir UN Lente mas portrait Creo que Seria genial....me gustan sus Tomas ...muchos exitos

[chiwaiwong]

Don’t rush it bro, enjoy the moment with your mamiya. Sooner or later you will know the camera much better. It’s just about the time.

[mathewmorgan]

That's my first pro camera that made me money. I had 3 backs and would load all 3 and fire away. I still have the camera and it still works.

[Narsuitus]

When I shoot my RB67 with 3 loaded backs and 50mm, 90mm, and 180mm lenses, I use a Canon G15 digital camera for test shots and for a light meter.

[theblackmanarmedwithacamera]

5TH LIKE! TELL HER TO PAY UP NOW!!

- THE BLACKMAN ARMED WITH A CAMERA

[MyJuancho]

Que tal caballero, yo de Nuevo .acabo de comprar una RB 67 pro S..y venia con back de la pro SD ..El de Las baterias. El asunto es que El switch de multi esta siempre en el lado single...y no se mueve para la posicion de multi..no he probado montando una pelicula todavia no llega...pero la pregunta es:. Es Esto normal .hasta que le pongo la pelicula? Gracias

[RobertLeeAtYT]

You're not metering correctly. The easiest way to do so these days is to use your digital camera.

1. Mount a lens with the same field of view as what you're going to using on the RB. Set camera to full manual. Enable zebra and histogram.
2. Select desired aperture and shutter speed. Look at the zebra. Decide whether the areas indicated as overexposed are okay to blow out. You may well want this, for example, to isolate the background.

3. Take the exposure. See if it's what you like. We use to do this with the Polaroid back as well, particularly with complex strobe setups. If you're using negative film, expose to the right as you would if shooting RAW with the digicam.
4. Transfer the shutter and aperture settings to the RB. Take the film exposure.

Now, to learn how to use the light meter, leverage the digicam again. If you use the light meter indicated settings on the digicam, does the digicam image look correct? Learn from doing this; you'll pick it up quickly. It's a lot cheaper and faster than experimenting with film.

Lastly, when shooting with negative film always err on the side of giving it more light. A 4 stop overexposure on negatives will still be perfectly usable. However, underexpose by a couple of stops and you'll end up with a grainy, muddy mess.

[kyroschannel]

I see the video in low resolution man. Why is that?