Jazz Chord Substitutions Explained

preview_player
Показать описание

What are "chord substitutions," and how can they be used to spice up your jazz chords and solos? Let's talk about the 5 different kinds of jazz chord substitutions you need to know.

CHAPTERS:
00:00 Intro
00:12 What are chord substitutions?
01:15 #1 Chord substitution
03:19 #2 Chord substitution
05:22 #3 Chord substitution
07:35 #4 Chord substitution
19:09 #5 Chord substitution

💥Important Links and Resources💥

Рекомендации по теме
Комментарии
Автор

I would not have had the chance to learn this. I'm 72 and it's the first time
I've gotten it. Thanks for the guidance.

CrazyQ
Автор

Holy smokes! This is EXACTLY what I've been looking for!

I'm not even playing guitar: I'm a piano player but this explanation of jazz theory is outstanding. Very clear and really straight forward! I could watch this content every day HAPPILY!

Thank you so much!

AnotherAnonymousMan
Автор

i have heard this explained to me for 30 years. Your explanation is the best that i have heard yet, very informative. Thank you.

jodyguilbeaux
Автор

Great lesson....as a jazz-fusion guitarist myself I always look for new ways to learn and incorporate these notions constructively into my playing. Personally, I noticed that the more you adopt chord substitutions, the further away you get from the "feel" you're trying to express with a chord progression you come up with (so, not necessarily the typical 1, 6, 2, 5), BUT at the same time, being an avid Pat Metheny fan for over 40 years, I couldn't help but noticing the way he uses substitutions in different renditions of his own songs, STILL managing to maintain the overall meaning of the message or the atmosphere of the piece he's playing. I suppose my point is YES, do use chord subs, but be careful on how to use them, try to not abuse them, as I notice some jazz-fusion musicians do, just for the sake of "Hey look how good and articulate I am!".... 🙂

vampiroangelico
Автор

This is why I love jazz. The creative potential is insane

milkgrapes
Автор

FANTASTIC lesson. Thanks. Bill Evans did these sort of substitutions cleverly.. subtly and aesthetically. THank you for this lesson.

arvh
Автор

Like "AnotherAnonymous" I am also not a guitar player, but this is a great summary of chord substitutions in only 13 minutes! You make it all sound easy!

blankfrancine
Автор

Trumpet player trying to understand what’s going on when I hear “good comping” love this video. Keep making educational content like this. I can’t wait to watch more of your videos

ericbender
Автор

THANKS! Don't worry about going too fast or whatever. We can back it up and watch again what we didn't get the 1st time.
GREAT lesson! Thanks, again!

thomasmartinscott
Автор

Thanks! What a lovely guitar you are playing.

caiogracco
Автор

I dont know about total beginners, but for me, as somebody who has mostly studied classical theory and not much jazz theory, you made it make so much sense to me.

alexlewis
Автор

It's so nice to hear this and understand everything you are talking about. This all sinks in after a while. Very different from when I first started watching all these videos online.

BrandochGarage
Автор

Wow, that little two minutes on tritone substitutions cleared up a long-time mystery I've had listening to jazz. So THAT's what they're doing! LOL

tomstreissguth
Автор

Really helpful. This sums up 4-5 different concepts that help been perpetually confusing to me. Thx!!

andyl
Автор

Yo that back door dominant sound was fire. I like reharming lady bird with a circle of fifths from the bIII in the turnaround to the bVII at bar 4.

dominicellis
Автор

One of my favorite subs that I've come across is the iv subbed for the V. The new progression for example would be Dmin7-Fmin7-C∆. Playing melodic minor over the V into the I sounds so cool!

ForProfit-x
Автор

I've never seen an accurate tutorial that's better than this. This is so straight to the point

feyyens
Автор

you're videos are the best and clearest on these subjects, thank you!!

ElyJaffeMusic
Автор

Love it!

I wish you explained why the first example works though. The way it is explained made it sound like a random substitution

wenjacklow
Автор

Great lesson! Will help greatly in my effort to analyze jazz standards, which I always find important. One small point: was at first confused by your use of "substitute for".... so for example, in describing a tritone substitution, the tritone chord substitutes for the V chord, not the other way around.

francesca