Sound Design for VR with Martín Hernández

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Supervising Sound Editor, Martín Hernández, used RX in Alejandro G. Iñárritu's virtual reality (VR) film, Flesh and Sand. Follow along with Hernández as he uses Spectral De-noise to peel back layers of sound in a scene, bring out the musical quality in noise, and create immersive sound design for this VR film.

  1. iZotope, Inc.
  2. iZotope
  3. isotope
  4. RX
  5. sound design
  6. post production
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Комментарии
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This is the best bait I have had in years, loved the process of this. Amazing!

exodus
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No offense there was nothing about VR sound design.

dp_kundu
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De Hum module -> suggest -> output hum only. This could give a similar result in this case.

checktheneck
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When should we expect improved algorithms for RX 7's Music Rebalance?

agiverreviga
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He voices Frozone in the Latin Spanish dub of The Incredibles.

speedracer
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Great, but nothing to do with VR except the first 2 minutes ...

ziedmeddebhamrouni
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is this an eq tutorial? What a terrible title for the vid

captainminecraftist
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Love using RX7... and I appreciate the post... but would really love to see more content that is advanced. The result from the source material is something a 14 year old producer can do with an EQ.

TacticalTopher