Johannes Brahms - Symphony no.4, op.98 (complete)

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Johannes Brahms (1833-1897)
Symphony no.4 in E minor, op.98
I.Allegro non troppo 00:00
II.Andante moderato 12:41
III.Allegro giocoso 23:46
IV.Allegro energico e passionato 29:55

Wiener Philharmoniker, Carlos Kleiber
Live Concert, Wiener Musikverein, 1979
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Information about the piece:
Brahms began working on his last symphony in 1884, just a year after completing his Symphony no.3, and completed in 1885.
It was first performed to a small private audience in a version for two pianos, played by Brahms and Ignaz Brüll. The official premiere of the symphony though, occured in Meiningen, on October 25, 1885 with Brahms conducting the piece himeslf.
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Score:
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No copyright infringement intended.
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1 ЧАСТЬ
Гп 0:07
Промежуточтая тема(фанфары) 1:39
1Пп 1:46
2Пп 2:45
Разработка
1Раздел 4:11
2Раздел 5:26
Реприза
Гп 7:15
Кода 11:25
2 ЧАСТЬ
Вступление(4 такта) 12:41
Гп 13:00
Пп 16:17
3 ЧАСТЬ
Основная тема(Гп) 23:46
Пп(танцевальная) 24:36
4 ЧАСТЬ
Основная тема 29:55
12 Вариация(флейтовая) 32:56

aracorporation
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What a pleasure to hear the music and read the score

kannansubramanian
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0:00 I. Allegro
12:41 II. Andante
23:46 III. Scherzo
29:55 IV. Passacaglia

GemmaCallahan-tjwl
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The Brahms E minor symphony was once described as "a deep dark well; the longer one gazes into it, the more one sees."

Carlos Kleiber was amongst Brahms greatest interpreters; and the VPO — well, they can play Brahms' "autumn symphony" in their sleep. A truly magnificent performance.

AJNorth
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The inclusion of trombones in the final movement adds such power and solemnity. Masterpiece.

roverchap
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2:31 and 9:41 are some of the most striking harmonies in this piece and I can't get enough of them.

iiiiiiiiiiiiiiiivy
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Какое потрясающее исполнение.Слушается наодном дыхании.

НАТА-ьэ
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I like it a lot and congratulation for showing in live the score, what a beautiful work you have done, so well synchronized.
Bravissimo!

vuemusicale
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This Symphony deserves a nickname! Since the Finale is a literal Passacaglia (a piece containing variations on a short, continuously repeating bass-ostinato) and since Beethoven’s Ninth (and last) Symphony is called “Choral” because its finale, which contains Ode To Joy, is a cantata-like piece, this one (Brahms’ own last symphony) should be called “The Passacaglia Symphony”.

GemmaCallahan-tjwl
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Johaness Brāmss. 4. simfonija e moll: 1. daļa, galvenā partija.
0:06
Johaness Brāmss. 4. simfonija e moll: 1. daļa, fanfārveida
frāze. 1:39
Johaness Brāmss. 4. simfonija e moll: 1. daļa, blakus partija.
1:45
Johaness Brāmss. 4. simfonija e moll: 2. daļa, galvenā partija.
12:41
Johaness Brāmss. 4. simfonija e moll: 3. daļa, galvenā
partija. 23:46
Johaness Brāmss. 4. simfonija e moll: 4. daļa, pamattēma (pasakāljas
tēma). 29:55

artsav
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1 частина :
00:40 - гп, сп
01:39 - драм.тема
01:45 - пп1
02:45 - пп2
04:12 - розробка
11:25 - кода

2 частина :
12:40 - вступ
13:01 - гп
15:17 - сп
16:18 - пп
23:02 - кода

3 частина :
23:46 - гп
24:06 - сп
24:36 - пп
26:45 - епізод в розробці

4 частина :
29:55 - тема
30:52 - 4 вар.
32:55 - 12 вар.
35:22 - 16 вар.

polinavigovskaya
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1 часть
00:06 - ГП
1:26 - сп
1:40 - предъикт к пп
1:46 - пп
2:45 - 1 зп
3:13 - 2 зп
3:57 - завершение экспозиции
7:16 - ГП в репризе
11:25 - кода
2 часть
12:40 - начало
13:01 - ГП
15:19 - сп
16:18 - пп
20:30 - пп в репризе
3 часть
23:47 - ГП
24:38 - пп
4 часть
29:56 - тема
30:11 - 1 вариация
30:25 - 2 вариация
30:40 - 3 вариация
30:53 - 4 вариация
31:08 - 5 вариация
31:22 - 6 вариация
31:35 - 7 вариация
31:50 - 8 вариация
32:05 - 9 вариация
32:20 - 10
32:38 - 11
32:57 - 12, соло флейты
33:35 - 13
34:13 - 14
34:47 - 15
35:24 - 16
35:36 - 17
35:46 - 18
35:56 - 19
36:06 - 20
36:16 - 21
36:28 - 22
36:38 - 23
36:48 - 24
37:00 - 25
37:14 - 26
37:24 - 27
37:35 - 28
37:45 - 29
37:56 - 30
38:14 - кода, 31 и 32 вариации

АлександраЛузянина-зб
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Movement 4 from Symphony no. 4 in E minor, op. 98, by Brahms
finale/symphony
1885
N/A
Musical/Style Characteristics:
Set of 30 8-measure variations on a theme derived from Bach’s cantata no. 150
Ostinato finale
Fills in interval of 5th and ends w octave leap on dominant
Brahms’s alterations:
Extend theme to 8 measures - 1 note per measure
Move melodic idea to top voice
Dissonance by # second iteration of 4th scale degree
End on scale degree 1
Only the coda is freely composed
Sonata-form ish
No modulation to secondary key
Variations 10 & 11 sense of transition
Variation 12 - clear mood change, meter change, marked dolce for the 1st time, timbre of solo flute
Variation 13 - shift to E major
Variation 16 - beginning of development
Variation 24 - beginning of recap
After variation 30 - coda
Old forms can be rejuvenated - can search for the new without abandoning tradition

sofiasanchez
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1 часть
00:07 - гп
01:40 - пп
11:25 - кода.
2 часть
12:41 - гп
16:18 - пп
3 часть.
23:47 - гп
24:38 - пп
4 часть.
29:56 - тема вариации.
32:56 - 11-ая вариация, соло флейты.

studyingmusictogether
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One of my favorite things to do
Listening to music while looking at the scores

tqnxjwjoazppq
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1:46 violoncellos and horns, beautiful combination

hjo
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Thank you for uploding this symphony with score...

김건호-yu
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Carlos Kleiber! One of the greatest--and he never held a major Music Directorate!

jochanaan
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Thank you very much for uploading this great symphony!

АнгелинаПайнс-гп
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This is where YouTube's accessibility shines.

counterpoint