Line 6 POD Go Guitar Multi-effects Floor Processor Demo 🎸

The Line 6 POD Go pairs traditional controls with a large color LCD to let players interact with virtual amps, stomps, and cabs in new and meaningful ways on the Line 6 POD Go. Whether you're running live FX into a stage amp, recording and re-amping through modeled amps and cabs, or outputting rich Helix-derived tones directly from the stage to the PA, the Line 6 POD Go has you covered.

The price and simplicity of the Line 6 POD Go tailor this floor processor to players who have been on the fence about diving into the Line 6 ecosystem. With the Line 6 POD Go, there's only a short learning curve standing behind the Line 6 POD Go and total integration with your rig. Who knows? Once you experience the freedom of gigging out with nothing but the guitar on your back and the Line 6 POD Go at your feet, you may never drag an amp out of your practice space again.

TheLine 6 POD Go eliminates the hassle of loading up and gigging out by giving you stunning re-creations of some truly timeless amp tones. Sag, chime, harmonics, dynamics, crunch. The Line 6 POD Go has onboard cabinet models, stompbox FX, and analog/digital outputs that equip the Line 6 POD Go to be the only piece of gear you record and gig out with, or one of several parts in live amp chain. Expandable features of the Line 6 POD Go include a headphone output for silent monitoring with the Line 6 POD Go, an FX loop for incorporating real-deal effects pedals with the Line 6 POD Go, and a dry amp output for monitoring through a live amp while sending modeled tones straight to FOH with the Line 6 POD Go.

With the Line 6 POD Go you can access a heaping helping of these iconic tones without the all-in size and price tag. Inside the Line 6 POD Go you'll find 270+ Helix and legacy models of your favorite classic amps, stomps, and cabs. On the Line 6 POD Go you can mix and match these in endless arrangements for dream tones with the Line 6 POD Go.

As with every latter-day Line 6 floor processor, the Line 6 POD Go gives you bulletproof construction, eight tour-grade rugged footswitches, and a cast aluminum expression pedal on the Line 6 POD Go that's rated to survive life on the road. Yet for all its strength, the Line 6 POD Go remains remarkably light and compact — the Line 6 POD Go is the perfect throw-and-go unit for a backpack or suitcase guitar traveler.

A drawback to lesser floor units is having to squint to see that one line of monochrome text as it flies by between patch changes. But not so with the Line 6 POD Go. The Line 6 POD Go has a full-color screen that reads out your full signal chain at a glance, and with the powerful backlight on the Line 6 POD Go it is easy to read even on a dark and hazy stage.

The Line 6 POD Go has an integrated expression pedal that injects the player's heart and soul into every performance. From volume swells with the Line 6 POD Go and rotary accelerations to landing the perfect Mick Ronson cocked-wah sound, the expression pedal adds a ton of potential to the Line 6 POD Go's powerful amps and FX.

The Line 6 POD Go gives you the tools you need to craft countless guitar rigs and recall them in a flash. Snapshots within the Line 6 POD Go don't just let you pull up tones from a song — here you can set verse, chorus, and lead tones and access them on a section-by-section basis, all in real time with the Line 6 POD Go. Snapshots on the Line 6 POD Go is just another way in which the Line 6 POD Go can greatly enhance your performance life.

Floor units like the Line 6 POD Go excel in the recording environment. With the Line 6 POD Go you can track guitar parts direct into a DAW session in pristine 24-bit/96kHz stereo quality. Or, for greater expandability with, you track your parts dry and take advantage of the Line 6 POD Go's re-amping capabilities for endless tonal variation down the road.

#Sweetwater #Line6 #PODGo

[MattReillyProductions]

I love my Helix Floor, I’m using it on Avril Lavigne’s Head Above Water Tour currently. I played through the POD Go yesterday. Definitely picking one for local shows and small clubs!

[mksounds]

Picked up my Pod Go from my local music store a couple weeks ago. I replaced my Floor Pod Plus from 2010 that I used for gigs and recording. I run the Pod Go into the power amp section of my 1994 Fender "Evil Twin" when I want external speakers. I use it as an interface to record into Studio One. Killer amp models on board and I've imported a ton of free presets and IR's from the Line 6 website and various YouTube demo videos for inspiration. I don't miss the things it doesn't do due to DSP limitations; parallel signal paths, more than four effects per preset. I also don't need a Variax input or XLR outs (I can run into a direct box or use a 1/4inch to XLR cable). The amp and cabinets do not take up any of the four user slots, and there is a global noise gate on the input signal so you don't need to take up one of the four spaces with a gate. Overall, if you're looking for something to be able to grab and go for recording and gigging with killer tones and great user interface, this unit kills it.
MK

[BillDutton]

Love the simplicity! For those of us that are primarily an amp, guitar,
cable and couple of pedals kind of player this is a welcome addition.

[jefflogan]

This is the best video demo I've seen yet. As always, fantastic job....

[FlipOfficial]

I can always count on Mitch to give the demo I need ❤️

[ChrisFlores]

I want this! I already own 3 Helix units but this seems so cool too! Way to go Line 6!

[martinohara]

That is the clearest explanation of any Multi-FX pedal I've come across, many thanks. This looks like it's just what I am searching for. I'm a Digitech RP360 and RP500 user, but want something a bit more modern and more flexible and this looks the part. I did try a Mooer GE200 but it didn't suit and I was looking at the HX Stomp, but I think this better suits my needs. Digitech should have done something like this, but they've missed the boat now.

[NbssProductions]

Solves some of the problems I had with the HX Stomp.

[earlbrackett]

I had sworn off Line6 because of the over-indulgence in redundant fx, but they took my advice & scaled that back and focused on quality over quantity, I think I might take another look...Sweetwater is a fine company to deal with. great demo.

[marka]

Mitch packs a lot of info into this short video - great demo

[northwest]

Not sure if the pedal is assignable to other effects such as pitch rather than just wah and volume. Otherwise, there is no room to complain about this package at this price.

[URTH-ybxh]

Always love your demos and presentations This was great and really had to say that guitar sounds great and looks cool as hell🤗

[davelanciani-dimaensionx]

I haven't bought a Line 6 device since 2005 (my POD XTLive) and then 2010 (my Spider IV 75W amp), due to price, but maybe now it's time to upgrade.

[nigeldaddyo]

This is a little long but if you're on the fence about modeling this could be a worthwhile read.

I bought one of these for late night practicing through headphones and the occasional fly gig/jam. It sounds so good to me that it has become my main rig, but there’s an important catch- I bypass the cab sims and put it straight into the fx loop return of my Bad Cat Cub 15R because, let’s face it, FRFR systems cannot recreate the “amp in a room” sound.

Although I’m not about to part with my Eventide H9, the effects on board are good to excellent. I’m still pretty floored by how uniformly great this setup sounds. Just so you don’t think I’m some easily impressed noob, I’ve been playing since the early 80’s and own or have owned great amps by the likes of Mesa (at least 6), Carr, Friedman, Budda, Fender CS, Orange, Rivera, Revv, and so-on. I’ve had my favorites from these brands and I can really say that the Pod Go into my Bad Cat’s fx loop return puts as big a smile on my face as any of the above amps.

Maybe I just got lucky and the Bad Cat just happens to “like” the Pod Go and it’s a great combination just by chance? Eventually I’ll pull out other amps to find out. I also think it’s important to mention that in my experience it doesn’t sound good into the front of an amp which makes sense given that you’re putting a modeled preamp into a real preamp in this scenario.

Modeling has really come of age IMHO. If you’re tired of lugging a big rig around and you’re intrigued by modeling but don’t like the FRFR experience you should consider this kind of setup. You may be very surprised. Oh yeah, the day after I bought this I got an email from Fractal as I'd been on their waiting list for the past 6 months for a FM3. With all the confidence that I was making the right choice and zero regret to date, I told them I was going to pass. YMMV

[lorenkrug]

Hey Line 6... a fully functional Helix in this chassis size and setup would sell

[markkdarkk]

Well, it sure makes a lot of different sounds. But what I want to see most is how quickly you can change from one preset to another when playing in a cover band that plays a wide variety of tunes from the 60s to the 20s, rock, country, soul, disco, bro country, each song beginning within 10 to 15 seconds of the previous one.

[finoroverato]

Great in depth review Mitch! I dig the pedal .It sounds good and a small footprint and you played the bridge to "Over The 🌈 Rainbow"

[lesbrown]

Pre-ordered one... thanks....good demo....

[GYMusic]

My only complaint about any of theses floor pedals - make a small wired or wireless remote that has the screen and controls that can be mounted on a mic stand. Who wants to bend down to make adjustments?

[DavidOnTheRoadGuitars]

Under five hundred bucks. Not bad. Especially because line six has made it easier to navigate effects.