THE OTHER SIDE OF MONSTERS, INC. | UNREAL ENGINE 5 (16+)

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What if you met the monsters from Monsters, Inc.
Made on Unreal Engine 5.
Sound design by me.

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I just like how the human does not die, like most typical horror parodies, because the monsters just want screams for their electricity

crafter
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I like how this fits with the universe of Monster Inc. Like you didn't change the characters to make them grim dark. This is what they did before they changed to gathering laughter for power.

davidpescitelli
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Love the perspective of the adults. And sweet, innocent Boo only sees Sully as a giant cat. 😊

joel
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I like to imagine that this person only saw the scary side of this experience, but in actuality, Sullivan was just playing with Boo and was either trying to run away after seeing the human or trying to hi

missyummy
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This is very in-character, Sully was probably also terrified, but had to strong-arm his way back to the closet once he got spotted.

riotbreaker
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I love the attention to detail like how the parent is using a cellphone from the early 2000s which makes sense because Monster's Inc came out in 2001.

ElectroBlastLuigi
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For anyone who realizes how screwed up Sully was for doing this to children, remember that in Monsters at Work, he directly acknowledges how awful the original system was morally.

shadowspector
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This would be amazing in vr! Awesome job man.

aiartbx
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It only just occurred to me that Monsters Inc's power supply before the laughing involved a hell of a lot of basically gaslighting, with the door only leading to their facility when they turned it on, making kids think they made it up

MysterySteve
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I like how clever the objects are at 1:05. They’re supposed to make the viewer think it was all their imagination. The dress is Sully’s colors, the dartboard with the green center is Mike, the Goosebumps book being monsters under your bed, the Ouija board being your overactive imagination, the hoverboard looking like a canister….

fd
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I love that the Monsters Inc theme is playing in the background when the door opens, implying that the monsters are actually listening to jazz while they scare the living daylights out of people.

JasonKnight
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I was NOT expecting that ending, this whole thing was so well animated. You earned my sub and support <3

NfinET
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Considering Sully needed an adult to scream before the closet opened, it makes me think he accidentally got stranded there again.

Reminder that adult screams work as fuel too.

JohnPeacekeeper
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I got a good synopsis for this:

The human adult is actually Boo’s older cousin who used to tease and pick on her about the ‘monsters in the closet’. Needless to say, Sulley found out and was NOT amused. He came to teach him a lesson.

Randall in the end just wanted to get the last scare.

Etherealdjinn
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Huh, this is Edith Finch's house. The layout is exactly the same.

-Messy dinner table at 0:13
-Music Box at 0:17, on the left
-Door with stained glass at 0:18
-Also the door with books lining it at 0:18 (The Library) on the left
-The area in front of the stairs on the 2nd floor at 0:21 ( You can even see see the chimney behind it, in the same spot on the right)
-Bigfoot poster for Barbara at 0:29, though I don't remember this room

I suppose this is the 'monster' Walter was scared of lol. In case anybody doesn't know what I'm talking about, search for the game 'What Remains Of Edith Finch'

doneedanickname
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Wow. That’s so meta. It’s so weird to be the observe knowing: hey they’re not gonna hurt you, they’re just trying to scare you, but then in that moment there’s no way you’re not thinking “this is DEFINITELY the end.” 😬😂

RickVegasGames
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amazing sound design and animation. camera work felt so immersive too.

pixel_lust
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1:10 Boo just standing there was somehow the scariest part of the video lol. Little kids are so creepy in horror

southparkchaoscorps
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Wow, I actually never thought about how scary this would be if I was on the other side

evildestroyer
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This is 1000x better than the lazy asset flips other UE5 YouTubers churn out. Your channel has a bright future. Keep up the good work.

jw
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