Oscar Winning Color Grade - Premiere Pro Tutorial

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All Quiet on the Western Front won an Oscar for best Cinematography. We recreated the movie's color grade in Premiere Pro.

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AS SOMEONE WHO WENT TO FILM SCHOOL I CAN TELL U THAT YOU ONE OF THE BEST TEACHERS HERE ON YOUTUBE

DawmFilms
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I think some of the best color grading I’ve ever seen has come from Peaky Blinders (specifically season 5 and 6). Every scene, if not the whole episode only uses three similar colors from a matching pallet at a time and it sets the scene/mood perfectly.

Driver_from_
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Impressive job at explaining everything 👍🏼

scuby
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Since av been watching premiere pro color grading on YouTube. U re the best

recklessdir
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I feel like I’m always trying to get the most dynamic range but “cinematic” looks seem to just blow out colors to pertain a certain look

mcintosh.motors
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Knowledge within knowledge. So many layers of theories. Amazing!

alesstrem
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Bro you are amazing i just learned soo many new things from you appreciated

mranonymouxx
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OMG this channel is money. Straight forward, easy to understand, damn I wish I found it earlier!!!!

captaincj
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learned alot about color grading fom you didnt know you could go that in depth with Pr thanks

eezygangekE
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I was learning so much I had to take a break, get some water and come continue

annachan
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Man, I don't know English, but your work is legendary

alhagy
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your videos are the best. thanks for the knowledge 👏

komerink
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could you please do a similar course but for editing and vex or just for overall editing a movie? Thank you for your videos!!

angelo
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@Movie LUTs This item is not available in my country please put it somewhere else so i can download it thanks you.

adam-vdl
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May I understand why the final step of adding the LUT again is essential?

Jasonbean
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Here from your color grading swap reel

justkaddy
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Impressive i like it. Let's see paul allen!

harryom
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I have to ask, is it really standard practice in the film industry to do so much rotoscoping/masking? This is not a rhetorical question I am legitimately asking. It feels like it would definitely cause issues with shots that have lots of movement or lots of subjects to mask as well as being inefficient overall on top of being overly complicated. I just can't see a giant studio(s) like that which did the grading on All Quiet on the Western Front having people doing manual masking for every single shot in the 2 1/2 hour film.

murphy
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Did you have the test footage in rec 709 then put on the LUT? Or was it in log?

jomosadler
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why you are editing directly on the clip and not using adjustment layer for each part of the footage? so if u want to remove something wrong u don't have to delete the the whole clip or am I wrong? I'm newbie btw

anasg