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Beethoven - Violin Sonata No.5 in F Major, Op.24 ‘’Spring‘’ (Ct.rc.: W.Schneiderhan, Wilhelm Kempff)
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Ludwig Van Beethoven (1770-1827) - The 10 Violin Sonatas / Remastered.
Click to activate the English subtitles for the presentation (00:00-01:00)
00:00 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - I. Allegro
07:18 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - II. Adagio molto espressivo
12:50 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - III. Scherzo, Allegro molto
14:19 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - IV. Rondo, Allegro ma non troppo
Violin: Wolfgang Schneiderhan
Piano: Wilhlem Kempff
Recorded in 1952, at Vienna
New mastering in 2021 by AB for CMRR
❤️ If you like CM//RR content, please consider membership at our Patreon page.
The recordings were made on Schneiderhan's home turf, in the excellent acoustic of the Mozart saal at the Konzerthaus, the artists tackling the sonatas in order of opus number. This cycle shows every sign of careful preparation — to the extent of using a new Urtextedition. One is struck by the aptness of the partnership, arising as much from the differences between the players as from their similarities. Kempff has sometimes been accused of taking a lightweight view of Beethoven and conversely Schneiderhan has been criticized on occasion for being too serious. By one of those lucky chances of chemistry, the two of them create a synergy which emphasizes their virtues and cancels out their negative points. The performances rest on a solid foundation of luminous piano and violin tone, generous phrasing and a mutual rhythm which seems to bubble up from within the music.
Click to activate the English subtitles for the presentation (00:00-01:00)
00:00 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - I. Allegro
07:18 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - II. Adagio molto espressivo
12:50 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - III. Scherzo, Allegro molto
14:19 Sonata No.5 in F Major, Op.24 ‘’Spring‘’ - IV. Rondo, Allegro ma non troppo
Violin: Wolfgang Schneiderhan
Piano: Wilhlem Kempff
Recorded in 1952, at Vienna
New mastering in 2021 by AB for CMRR
❤️ If you like CM//RR content, please consider membership at our Patreon page.
The recordings were made on Schneiderhan's home turf, in the excellent acoustic of the Mozart saal at the Konzerthaus, the artists tackling the sonatas in order of opus number. This cycle shows every sign of careful preparation — to the extent of using a new Urtextedition. One is struck by the aptness of the partnership, arising as much from the differences between the players as from their similarities. Kempff has sometimes been accused of taking a lightweight view of Beethoven and conversely Schneiderhan has been criticized on occasion for being too serious. By one of those lucky chances of chemistry, the two of them create a synergy which emphasizes their virtues and cancels out their negative points. The performances rest on a solid foundation of luminous piano and violin tone, generous phrasing and a mutual rhythm which seems to bubble up from within the music.
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