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Shifter: Allan Jenkins

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I met Allan Jenkins roughly a decade ago during the early stages of Blurb's arrival on the photobook scene. Like all good creatives, Allan was curious about new technologies, and what Blurb was doing, and had already begun using the platform and using it well. His work at the time was connected to Cuba, a country that connected to me through my father's ranch partner, a Cuban refugee who I had spent considerable time with during my childhood.
On an early European swing for Blurb, we hosted a dinner in London and Allan was kind enough to spare us his time and expertise. I liked him from the minute I met him. Gregarious with a sense of humor, but more importantly, Allan was all in on photography. I don't remember how, but I got myself invited to his studio and this was where I began to get a better understanding of who Allan is.
This past May, during another European swing for Blurb, I reached out to reconnect and Allan said "Come on out." Thanks to the kindness of a stranger who noticed me waiting for the wrong train, I made it to Allan's studio where I made this short film. My filmmaking skills lack the refinement to do Allan justice, but the work speaks for itself.
Allan does have a little of the "International Man of Mystery" to him. There is the hard-to-place accent, and the Spanish and French that punctuate his speech, but when the door of the studio opens, and you begin to take in the uniqueness of the place, you will undoubtedly understand that you are dealing with an artist. Here is my advice. Look at the commitment. Look at the prints and installations. Look at the books. Look at the process. Look at the curiosity.
We can learn a lot from Allan, and I hope you enjoy the fruits of our visit.
On an early European swing for Blurb, we hosted a dinner in London and Allan was kind enough to spare us his time and expertise. I liked him from the minute I met him. Gregarious with a sense of humor, but more importantly, Allan was all in on photography. I don't remember how, but I got myself invited to his studio and this was where I began to get a better understanding of who Allan is.
This past May, during another European swing for Blurb, I reached out to reconnect and Allan said "Come on out." Thanks to the kindness of a stranger who noticed me waiting for the wrong train, I made it to Allan's studio where I made this short film. My filmmaking skills lack the refinement to do Allan justice, but the work speaks for itself.
Allan does have a little of the "International Man of Mystery" to him. There is the hard-to-place accent, and the Spanish and French that punctuate his speech, but when the door of the studio opens, and you begin to take in the uniqueness of the place, you will undoubtedly understand that you are dealing with an artist. Here is my advice. Look at the commitment. Look at the prints and installations. Look at the books. Look at the process. Look at the curiosity.
We can learn a lot from Allan, and I hope you enjoy the fruits of our visit.
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