Bach Toccata And Fugue: Pipe & Division Modelling

There is a benefit in revisiting the same piece over and over! This third rendition has many of the pipe modelling techniques I have developed recently. We can still here every not despite being played much faster (a more traditional speed). I am very pleased with the 'conversation' effect of principals with the reeds in the echo/swell division. Note how this softer division does indeed sound further away now and enclosed. Also listen out for the trombones on the pedals.

All the clarity given by pipe modelling did cause some issues! I heard several errors in the midi file I had not noticed before. A session with Aria Maestosa helped. There are still a few, but they annoy more less and perfection is not always wanted. I also found that proper pipe articulation obviated the need for any changes in velocity from one note to the next.