Limiter Trick They All Use

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Another great tip is to use mathematical subdivisions of your BPM when setting the limiter release time. For example at 120bpm a quarter note lasts for 500ms an eighth note is 250ms and a sixteenth note is 125ms. Allowing the limiter to pump and breath/undulate with the natural timing of the music, sounds more natural and musical and doesn’t stifle the natural flow of the music.

jamzdrumz
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"Only professional mastering engineer on YouTube", First I thought you were praising yourself then I realised IT IS THE TRUTH! 🧿

baymax
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I'm currently using on all my masters Pro-L2 as the final limiter with a "Streaky 1" preset that I got from one of your other videos. Almost no look-ahead, All Round, High Attack, Low Release, Stereo Channel UNLINKED, -0.1 Ceiling. Thanks Streaky!

Indigo_Jams
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The quality of my mixes drastically improved (I'm not a mix engineer) and I am really thankfull for that.

Devlife
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Holy hell dude. Thank you. Thank you. Thank you. Just bounced down a track with my previous limiter settings and then your limiter settings. In your one the tracks is coming through so much brighter, and I can get an extra db out of it. Absolute legend. New subscriber.

josephpurdue
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Remember, folks, you only need to dither if you're exporting at a lower bit depth

compoundaudio
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Streaky, your Ozone course is very good! I'd really like to see something similar to this video above, but for Ozone settings.

OfficialStevenCravis
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Der einzige Produzent auf Youtube wo ich bevor ich das Video gesehen habe bereits Like!

derSkeptika
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Just starting out on my mixing journey. Thank you for the killer content.

ConnollyMusicCreation
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One of the few channels about music production I really trust, your videos are gold!!!

anthonylynchmusic
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You are one of the few honest people on youtube! Thanks for the real info! I always leave -1.1db on the output just to get away from the streaming codec compression etc. You just set it to -0.1 and i am confused. Streaming converts to a lossy format and that could add even a 1db to our current mastertrack. I would like to know more about your opinion.

KutayYavuzMusic
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Can confirm, amazing results and great timing

manwithaplan
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I've watched this a few times. Excellent stuff. Thank you!!

screendrem
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I LOVE THIS FORMAT STREAKY... YOU'RE ON TO SOMETHING!!!!

L.DOT.P.
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Tell me, do I need to enable dithering? when exporting a wav master in 44100 16 bit for uploading to sites or will this degrade the quality?

XIII-rlbn
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I agree with the true peak Streaky it needs to hit little bit harder but it makes the tracks also little bit distorted, if you know what you're doing, it's a tricky method. But if you have a good ears, you can hear the distortion at some tracks when they turn down the peak.... When I am in the club, I hear some of the famous tracks distortion and some of them are very clean tracks. Sometimes I am thinking some dj's and people on the crowd are just deaf lol. Anyway, thanks for the advice Streaky.

ktryushi
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thank you!! quick and to the point, great video!

axjajxa
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A .01dB ceiling is pretty high. Surely you will get audible TP's and distortion over 0dB when encoding to a lossy format, where it's noticeable? For audio, I aim for a .05dB ceiling and for video, .07dB. I use the Transparent algorithm because I'm using another limiter to catch the peaks before the L2 that's already coloring the sound a bit.

davejohnsonmusic
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These settings work fine for me, as Streaky says, trying the lookahead a bit more or less, attack and release same thing - my old Mac Pro 2011 chews through it on 32X oversampling, offline of course - gives me a chance to practice my classical guitar while I wait ;-)

TheGurner
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This is basically the Loud > Practically Clipping preset in Pro-L 2 for anyone who wants to quickly dial in the settings 🤙

theDUCER.