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The Flying Lizards ~ Money (That's What I Want) 1979 New Wave XTension
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The songs of Motown have been covered by just about everyone at some time or another, even fellow Motown groups recorded a version each others hits. There has never been a more surprising version of Motown than the New Wave version of the Barrett Strong single from 1960 as done by The Flying Lizards in 1979.
Avant garde UK artist David Cunnigham was the brainchild behind the Lizards, forming the band after he released his 1975 album "Grey Scale" where he recorded a low tech rousing version of Eddie Cochrane's 50's nugget of teen lament "Summertime Blues". Using a flat, tuneless vocal style, Deborah Evans laid down the blueprint for further Lizard singles with Steve Beresford on guitars and JJ Johnson on drums.
Cunningham quips that he was able to record "Summertime Blues" for 20 pounds (about 23$ US) and that economy is what led to their one off release via Virgin Records in 1978. The label felt it could recoup its costs and make some quick money.
There was enough buzz on the single for Virgin to order a full LP and Cunningham went on the search for more songs to record eventually choosing Strong's "Money". Using the Yoko Ono type vocals of Evans and the low rent instrumentation with a toy piano and guitar and a disco thump filled out with an experimental dub style that only added to the weird charm of the frenetic music track. While the song peaked at #50 on the pop charts, it did reach #22 on Billboard's Disco Chart.
It did way better in the UK peaking at #5 on their national survey. "Money" was followed up by "Summertime Blues" which did not chart anywhere. Virgin ordered another album and Cunningham released "Fourth Wall" but further waxings were met with diminishing returns and the name was finally shelved after 1984's "Top Ten".
Cunningham has since revived the Flying Lizard's repertoire by remixing and expanding on the dub versions in 1996, with CD releases of their other two albums in 2010. However, their time had passed and neither charted. The Lizards brought some humour and edge to the New Wave movement but were unable to maintain that popularity, but they were not built to.
Avant garde UK artist David Cunnigham was the brainchild behind the Lizards, forming the band after he released his 1975 album "Grey Scale" where he recorded a low tech rousing version of Eddie Cochrane's 50's nugget of teen lament "Summertime Blues". Using a flat, tuneless vocal style, Deborah Evans laid down the blueprint for further Lizard singles with Steve Beresford on guitars and JJ Johnson on drums.
Cunningham quips that he was able to record "Summertime Blues" for 20 pounds (about 23$ US) and that economy is what led to their one off release via Virgin Records in 1978. The label felt it could recoup its costs and make some quick money.
There was enough buzz on the single for Virgin to order a full LP and Cunningham went on the search for more songs to record eventually choosing Strong's "Money". Using the Yoko Ono type vocals of Evans and the low rent instrumentation with a toy piano and guitar and a disco thump filled out with an experimental dub style that only added to the weird charm of the frenetic music track. While the song peaked at #50 on the pop charts, it did reach #22 on Billboard's Disco Chart.
It did way better in the UK peaking at #5 on their national survey. "Money" was followed up by "Summertime Blues" which did not chart anywhere. Virgin ordered another album and Cunningham released "Fourth Wall" but further waxings were met with diminishing returns and the name was finally shelved after 1984's "Top Ten".
Cunningham has since revived the Flying Lizard's repertoire by remixing and expanding on the dub versions in 1996, with CD releases of their other two albums in 2010. However, their time had passed and neither charted. The Lizards brought some humour and edge to the New Wave movement but were unable to maintain that popularity, but they were not built to.
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