Erik Stams – Creative Concepts - Grooves using Linear Fragments - Issue 300

Linear phrasing involves the articulation and orchestration of each note of a rhythm, groove or fill with a different limb or on a separate voice of the drum kit. This is in contrast with the ‘layered’ approach we normally take when playing beats, where the bass drum/hi-hat or snare drum/hihat fall in unison.
A useful analogy would be to compare a linear phrase to an arpeggio, which is played one note at a time, rather than a chord where notes are played in a

cluster.
In this lesson, we will focus on a single four-note sticking pattern – R L L F. Keep in mind that this concept could be applied to a multitude of sticking patterns.

A key element in making any musical phrase sound expressive is to introduce dynamics and articulation. By playing some notes quietly and some notes loudly we can bring our musical ideas to life... [continues in magazine]

Examples and further information are in Issue 300 (available from June 2021) of Rhythm Magazine.

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