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Blue Magic ~ Sideshow 1974 Soul Purrfection Version

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After the tumultuous 60's, music in the early 70's was aimed more at being soothing since people were looking for ways to chill out and the soft sounds of the music was the perfect remedy. Pop music had America, Neil Young, The Carpenters and Carole King.
It affected R&B and soul too, groups like the Delfonics, The Stylistics and Blue Magic ruled the airwaves with their comforting "sweet soul" sound. The sound of Philadelphia was brought to us via Thom Bell and MFSB and played a big part of the orchestral arrangements that were used to create slow dance classics.
Blue Magic came from Philadelphia in 1972 where Randy Cain once a member of The Delfonics connected with songwriter Tim Mills and assembled Keith Beaton, Richard Pratt, Vernon Sawyer and his brother Wendell who were known as Shades Of Love. Record executives replaced Ted Mills go to musicians with the Shades Of Love and renamed the band Blue Magic.
Put in the studio with the nascent MFSB orchestra and produced by Norman Harris himself a member of MFSB, their debut single "Spell" set the trend for the smooth and emotional soul ballads meant to tug at your hearstrings in 1973. Then the second single, the uptempo "Look Me Up" placed at #14 R&B and #74 on the Hot100.
This set the scene for their next single "Sideshow" an achingly emotional look at the pitfalls of lost love and it became their biggest and defining hit peaking at #1 R&B and #8 on the Hot100. Written by Bobby Eli and "Vinnie Barnett" (who was lyricists Gwen Woolfolk and Bobby Eli) who also wrote Major Harris's #1 R&B tune "Love Won't Let Me Wait".
The metaphor of the circus sideshow was created after Woolfolk and Eli decided to go out and see the world to take a break from writing. They went to a museum where one of the exhibits was of antique Circus props and the chorus came together easily that same night when they got back to the studio. The lyrics took about four months to write since they did not want to present the story as a happy thing. "People who work for the circus are hardworking, very strong and sad things happened to them. So I wanted that idea, the sideshow is gone and the singer is still an unhappy person."
The duo repaired to Eli's apartment after completing the song when Norman Harris decided to pass by, but was unable to get their attention to answer the door. He finally did by tossing pebbles at the window and they showed him the song they had just completed. Harris was ecstatic and said he wanted to record the song with Blue Magic.
This remix was a labor of love, it is a stone cold classic and I had to be careful to not overdo any one element because the alchemy was already perfect and I was able to extend the intro and create a break that keeps the listener involved. When I first heard this at the age of 14, I could already sense the emotion and it made me feel sad, but in a good way. I love it so much and love this remix. I hope you do too!
It affected R&B and soul too, groups like the Delfonics, The Stylistics and Blue Magic ruled the airwaves with their comforting "sweet soul" sound. The sound of Philadelphia was brought to us via Thom Bell and MFSB and played a big part of the orchestral arrangements that were used to create slow dance classics.
Blue Magic came from Philadelphia in 1972 where Randy Cain once a member of The Delfonics connected with songwriter Tim Mills and assembled Keith Beaton, Richard Pratt, Vernon Sawyer and his brother Wendell who were known as Shades Of Love. Record executives replaced Ted Mills go to musicians with the Shades Of Love and renamed the band Blue Magic.
Put in the studio with the nascent MFSB orchestra and produced by Norman Harris himself a member of MFSB, their debut single "Spell" set the trend for the smooth and emotional soul ballads meant to tug at your hearstrings in 1973. Then the second single, the uptempo "Look Me Up" placed at #14 R&B and #74 on the Hot100.
This set the scene for their next single "Sideshow" an achingly emotional look at the pitfalls of lost love and it became their biggest and defining hit peaking at #1 R&B and #8 on the Hot100. Written by Bobby Eli and "Vinnie Barnett" (who was lyricists Gwen Woolfolk and Bobby Eli) who also wrote Major Harris's #1 R&B tune "Love Won't Let Me Wait".
The metaphor of the circus sideshow was created after Woolfolk and Eli decided to go out and see the world to take a break from writing. They went to a museum where one of the exhibits was of antique Circus props and the chorus came together easily that same night when they got back to the studio. The lyrics took about four months to write since they did not want to present the story as a happy thing. "People who work for the circus are hardworking, very strong and sad things happened to them. So I wanted that idea, the sideshow is gone and the singer is still an unhappy person."
The duo repaired to Eli's apartment after completing the song when Norman Harris decided to pass by, but was unable to get their attention to answer the door. He finally did by tossing pebbles at the window and they showed him the song they had just completed. Harris was ecstatic and said he wanted to record the song with Blue Magic.
This remix was a labor of love, it is a stone cold classic and I had to be careful to not overdo any one element because the alchemy was already perfect and I was able to extend the intro and create a break that keeps the listener involved. When I first heard this at the age of 14, I could already sense the emotion and it made me feel sad, but in a good way. I love it so much and love this remix. I hope you do too!
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