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Lucio Dalla Caruso Te Voglio bene Assaje Flugelhorn Stavros Sakorafas
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Caruso" is a song written by Italian singer-songwriter Lucio Dalla in 1986. It is dedicated to Enrico Caruso, an Italian tenor. Following Lucio Dalla's death, the song entered the Italian Singles Chart, peaking at number two for two consecutive weeks. The single was also certified platinum by the Federation of the Italian Music Industry.
The song simply tells about the pain and longings of a man who is about to die while he is looking into the eyes of a girl who was very dear to him. The lyrics contain various subtle references to people and places in Caruso's life.
Lucio Dalla told the origin and the meaning of the song in an interview to one of the main Italian newspapers, Il Corriere della Sera. He stopped by the coastal town of Sorrento and stayed in the Excelsior Vittoria Hotel, coincidentally in the very same room where many years earlier the tenor Enrico Caruso spent some time shortly before dying. Dalla was inspired to write the song after the owners told him about the last days of Caruso and in particular the latter's passion for one of his young female students.
Caruso was an acclaimed Italian operatic singer who was one of the greatest and most sought-after singers during the late 19th and early 20th centuries. Unfortunately he lived a very difficult and rather unhappy life, having had many challenges and problems with Italian opera houses, but gained more fame and success in the United States.
Caruso was born to a poor family in Naples. He was often involved with women, and had several love affairs with prominent married women in the performing arts, which often ended badly. His longest and most passionate love affair was with the married Ada Giachetti, with whom he had two sons. It ended when she left him for their chauffeur. A few years before he died, he met and wed a woman 20 years his junior, Dorothy Park Benjamin, whom Lucio Dalla describes in this song "Caruso". With her he had a daughter named Gloria.
Stavros Sakorafas is a Greek trumpeter.
The flugelhorn (/ˈfluːɡəl.hɔːrn/—also spelled fluegelhorn, flugel horn, or Flügelhorn—from German, wing horn, or flank horn German pronunciation: [ˈflyːɡl̩hɔʁn]) is a brass instrument pitched in B♭, and resembles a trumpet, but has a wider, conical bore. The instrument known today as the flugelhorn is a descendant of the valved bugle, which had been developed from a valveless hunting horn known in eighteenth-century Germany as a Flügelhorn. The valved bugle provided Adolphe Sax (creator of the saxophone family) with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled.
Some sources falsely consider it to be a member of the saxhorn family developed by Adolphe Sax (who also developed the saxophone). Other historians assert that it derives from the valve bugle designed by Michael Saurle (father) in Munich in 1832 (Royal Bavarian privilege for a "chromatic Flügelhorn" 1832), which predates Adolphe Sax's work.
The instrument was used on the battlefield to summon the flanks of an army.
The flugelhorn appears mainly in jazz, brass band music, and popular music, though it appears occasionally in orchestral music.
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#Lucio_Dalla #Caruso #Te_Voglio_bene_Assaje #Flugelhorn #Stavros_Sakorafas
Caruso" is a song written by Italian singer-songwriter Lucio Dalla in 1986. It is dedicated to Enrico Caruso, an Italian tenor. Following Lucio Dalla's death, the song entered the Italian Singles Chart, peaking at number two for two consecutive weeks. The single was also certified platinum by the Federation of the Italian Music Industry.
The song simply tells about the pain and longings of a man who is about to die while he is looking into the eyes of a girl who was very dear to him. The lyrics contain various subtle references to people and places in Caruso's life.
Lucio Dalla told the origin and the meaning of the song in an interview to one of the main Italian newspapers, Il Corriere della Sera. He stopped by the coastal town of Sorrento and stayed in the Excelsior Vittoria Hotel, coincidentally in the very same room where many years earlier the tenor Enrico Caruso spent some time shortly before dying. Dalla was inspired to write the song after the owners told him about the last days of Caruso and in particular the latter's passion for one of his young female students.
Caruso was an acclaimed Italian operatic singer who was one of the greatest and most sought-after singers during the late 19th and early 20th centuries. Unfortunately he lived a very difficult and rather unhappy life, having had many challenges and problems with Italian opera houses, but gained more fame and success in the United States.
Caruso was born to a poor family in Naples. He was often involved with women, and had several love affairs with prominent married women in the performing arts, which often ended badly. His longest and most passionate love affair was with the married Ada Giachetti, with whom he had two sons. It ended when she left him for their chauffeur. A few years before he died, he met and wed a woman 20 years his junior, Dorothy Park Benjamin, whom Lucio Dalla describes in this song "Caruso". With her he had a daughter named Gloria.
Stavros Sakorafas is a Greek trumpeter.
The flugelhorn (/ˈfluːɡəl.hɔːrn/—also spelled fluegelhorn, flugel horn, or Flügelhorn—from German, wing horn, or flank horn German pronunciation: [ˈflyːɡl̩hɔʁn]) is a brass instrument pitched in B♭, and resembles a trumpet, but has a wider, conical bore. The instrument known today as the flugelhorn is a descendant of the valved bugle, which had been developed from a valveless hunting horn known in eighteenth-century Germany as a Flügelhorn. The valved bugle provided Adolphe Sax (creator of the saxophone family) with the inspiration for his B♭ soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled.
Some sources falsely consider it to be a member of the saxhorn family developed by Adolphe Sax (who also developed the saxophone). Other historians assert that it derives from the valve bugle designed by Michael Saurle (father) in Munich in 1832 (Royal Bavarian privilege for a "chromatic Flügelhorn" 1832), which predates Adolphe Sax's work.
The instrument was used on the battlefield to summon the flanks of an army.
The flugelhorn appears mainly in jazz, brass band music, and popular music, though it appears occasionally in orchestral music.
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Thanks for watching and comments!
#danai2014
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