House Of The Dragon's Crabfeeder Details EXPLAINED..

House Of The Dragon's Crabfeeder Details EXPLAINED..

Welcome back to Scene Focus. Here’s some news for you about House of Dragon’s Crabfeeder. In the Game of Thrones universe, there are plenty of morally grey characters. The original show had the often dubious likes of Jaime Lannister and Theon Greyjoy, while House of the Dragon has already introduced the sneaky Daemon Targaryen, and the (arguably even sneakier) Otto Hightower. But some characters are just out-and-out bad. In Game of Thrones, we endured the relentlessly cruel Ramsay Bolton, and in House of the Dragon, there's a new villain in town: The Crabfeeder (Daniel Scott-Smith).

We're first introduced to the Crabfeeder, whose real name is Craghas Drahar, during a small council meeting in the very first episode of House of the Dragon. "The growing alliance among the free cities has taken to styling itself 'The Triarchy.' They have amassed on Bloodstone, and are presently ridding the Stepstones of its pirate infestation," explains Lord Corlys Velaryon.
"A man called Craghas Drahar has styled himself the Prince Admiral of this Triarchy. They call him the Crabfeeder due to his inventive methods of punishing his enemies." That "inventive method", for what it's worth, involves nailing men to stakes on the beach at low tide and letting the crabs devour them while they're still alive. As King Viserys points out in episode 1, the Crabfeeder killing pirates isn't actually that much of an issue for Westeros. The problem is, though, that he's clearly doing a bit more than just killing pirates. The Crabfeeder, it seems, isn't worrying too much about who exactly he feeds to the crabs — and as the small council points out, he's being provided with ships by the free cities themselves. Daemon Targaryen, later in the same episode, even describes him as a "Myrish Prince". In related news, House of the Dragon's opening credits certainly tries to recapture the excitement of the Game of Thrones titles, even going so far as to use the exact same music and 3D animated art style. In this new sequence, we're guided through an imposing stone city by a river of blood. The blood moves through gears carrying different insignias, charting a new path depending on how the gear turns. However, where the Game of Thrones title sequence helped viewers unfamiliar with Westeros get used to the geography of the world, House of the Dragon's opening is far more symbolic.

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