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Lugansky - Debussy, Deux Arabesques
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Claude Debussy (1862-1918),
The Two Arabesques (Deux Arabesques) , L. 66 (1888 - 1891)
Nikolai Lugansky, 2019
From Moscow Philharmonic Society
[0:00] No. 1 in E major. Andantino con moto
[4:12] No. 2 in G major. Allegretto scherzando
“Debussy’s first compositions for solo piano to be issued in print were his Deux Arabesques. Already in his lifetime some 123,000 copies were sold of the first one, making it then, as now, one of his most popular pieces. It is funny to read that, even though they were published in 1891, as late as 1903 the newspaper Le Figaro published the first one as a musical supplement in which they called it a ‘new and entirely recent composition’ by a ‘young composer’ (Debussy was forty-one by then), stating how perplexing the music might be to even the most experienced pianist. They were no doubt trying to cash in on his success the previous year with his opera Pelléas et Mélisande, which had made him famous overnight.
Now nothing seems simpler than these totally charming pieces, with their flowing and decorative writing. Debussy once used the term ‘arabesque’ in describing a movement of a Bach violin concerto, speaking of the ‘principle of ornament, which is the basis of all forms of art‘“.
- Angela Hewitt, 2012
The Two Arabesques (Deux Arabesques) , L. 66 (1888 - 1891)
Nikolai Lugansky, 2019
From Moscow Philharmonic Society
[0:00] No. 1 in E major. Andantino con moto
[4:12] No. 2 in G major. Allegretto scherzando
“Debussy’s first compositions for solo piano to be issued in print were his Deux Arabesques. Already in his lifetime some 123,000 copies were sold of the first one, making it then, as now, one of his most popular pieces. It is funny to read that, even though they were published in 1891, as late as 1903 the newspaper Le Figaro published the first one as a musical supplement in which they called it a ‘new and entirely recent composition’ by a ‘young composer’ (Debussy was forty-one by then), stating how perplexing the music might be to even the most experienced pianist. They were no doubt trying to cash in on his success the previous year with his opera Pelléas et Mélisande, which had made him famous overnight.
Now nothing seems simpler than these totally charming pieces, with their flowing and decorative writing. Debussy once used the term ‘arabesque’ in describing a movement of a Bach violin concerto, speaking of the ‘principle of ornament, which is the basis of all forms of art‘“.
- Angela Hewitt, 2012
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