I Put STEVIE RAY VAUGHAN'S GIANT Strings On My Strat...

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[davidparker]

Changing to heavier gauge strings requires a new setup. You need to add springs to the bridge block, adjust the trust rode, saddle hight and recute the nut. Then it would be easier to play after a few weeks of practice. But, for myself 10s are perfect for standard tuning on a 25.5 inch scale guitar.

[donald-parker]

I guess most of us have gone through the "heavy strings = tone" phase. After 50+ years I've ended up using 8's because it helped a lot with some repetitive stress sorts of problems that were starting to really get in my way. The only real drawback is that they are useless for slide. Other than that, its not that hard to develop a lighter touch. One thing I have found is that I tend to use heavier picks with lighter strings. Its almost as if my right picking hand wants to feel the same resistance regardless of string gauge.

[scottbrown]

After being inspired by this video, I found some very specific info about SRV. He did play 13's, but a custom 13. Basically a very thick low E (.58). ( A jumps all the way to .38.) And a thick G(.19), which in my opinion, is a very smart approach. Anyway his 13's are not quite as bad as they seem, AND he tuned to Eb. And if you look at the guages in a standard 13, no comparison. The only 13 is really the high E. Everything else is a lot lighter. Maybe you should try the custom guages. I used to order strings in bulk at specific guages. Try custom.

Another comment says he was in the studio, trying to lay a track, he ripped the tip off one of his fingers, glued it back w/ crazy glue, and finished the track.

I have a hard time believing this lore, except I know he did a lot coke, so I believe it. Go SRV!

And as you said, "Was it worth it?"
I guess only SRV can answer that, but he's dead, so
...😮😮

He is certainly one of kind and very hard core. His beat up number one Strat was a '63 he dubbed "First Wife ".

I don't currently own a Strat, but would like one. I really love that tubey Strat bottom end, which fits perfectly with the Hendrix style.

SRV obviously knows everything you could know about playing a Strat and he covers Hendrix in a way that captures Hendrix, yet it's unique, you know it's SRV. One of a kind. Broke the mold when they made him.

[jonnysmokesmusic]

My friends dad actually engineered srv in the studio and said he definitely used 13’s. He also played so hard that he cut his finger tip off in a bend. He glued it back on with crazy glue, did more coke, and nailed it in the next take. Apparently his dad the engineer was the only one not using piles of coke every day… (I have my doubts about his sobriety. 😂)

[shawnmartin]

Stevie also played mostly in E flat tuning which slacks the strings somewhat. Pretty much makes 11's feel like 10's or less. He did use 13's in his early days and would glue callouses back on and even skin from other parts of his body. His guitar tech finally talked him into going to 11's.

[beerstuff]

Pro tip: if you change string weight you need to adjust the truss rod to counter the change in tension they put on the neck. Going up in weight means tightening the rod to keep it straight. The extra tension will put more of a bow into the neck. That's why Mike's action is no good with the new strings!

[real_fjcalabrese]

My default gauge is 11-49. It helps with the tuning stability on my 24.75" scale length guitars. It's helpful on a Stratocaster when I downtune to Eb.

[DeeTee]

I tried 13’s back in the day, but I was young and didn’t realize it’s not just a case of changing strings. You have to cut the nut deeper, adjust the claw, it’s a whole production. I’ve listened to SRV since I was 13 and absolutely love his music. But I’m a 10 gauge guy for my Strats and les Paul’s and 9’s for my all my evh/Floyd rose guitars. Thanks for sharing.

[rangerrecon]

The episode of Daryl's House on YouTube where Billy Gibbons was the guest had interesting comments from Billy on sting gauge. He talked about how he used to run heavy strings early in his career because he thought he needed that to get that "big blues sound". He ended up sharing a gig with B.B. King and B.B. offered to swap guitars with him to play around a little and he asked Gibbons why he had such heavy strings on his guitar. Gibbons told him he was told that was what was needed to get the blues sound. B.B. asked him why anyone would want to work that hard to get a sound. After that, Gibbons dropped down to really light strings and hasn't looked back.

[riceflatpicking]

I’m a bluegrass player so all I know is a great Martin with a big fat neck and medium Elixirs. Huge Stevie Ray Vaughan fan, got to see him when I was 15. The main thing I remember from that night is that he played every note like it was the last time he was going to be allowed to play the guitar so to me it’s fitting that he had these super heavy strings, anything less would not have survived! I miss that dude.

[IanSwope]

Been playing over 30 years. Back in the day when I was a huge SRV fan I was using 11s and 12s all the time. Hurt like hell but built character. Now I play 9s and my overall touch is a lot lighter.

[HiwattW]

Mike, great post. I also went through a 12 gauge phase and had the same issues that you've experienced. Firstly, SRV (Hendrix too) had a little more give for bending because they tuned down a half step- but still really tough to play with that gauge. Just a word of caution- speaking as a physician, as we age our hands (tendons and ligaments especially) are vulnerable to repetitive stress. I doubt that had Stevie and Jimi lived to an older playing age (how I wish they had!) they would have been able to continue with a heavy gauge without injury. Thanks again for a great video article!

[willkayl]

When I was younger, I used 13’s on my Strats for a couple years. Like you said, playing rhythm is a lot easier but after about 6 months, my lead playing got a lot better and sounded amazing tone-wise. When I went back down to 10’s after over 2 years of 13’s, it takes some getting used to again. When I went back down, my hand strength was so much better that I could really shred if I wanted to. So, it was hard for about 6 months then, your hands get used to it just like anything else on the guitar. Plus, there’s a lot of setup changes that have to be made when changing to such a high gauge string, also. This was a fun watch.

[joeMW]

You really need to set up the whole guitar around these strings. Truss rod, bridge, intonation, nut slots. Gotta do it all. You'll never get around the high string tension though - that's just how it goes.

[ajanator]

I use 11s, they're at the point where they don't sound thin and wiry like low gauge strings do, yet are still not impossible to bend.

[littlephoenix]

Something many people don't know is that he had a custom set that actually ran 13, 15, 19, 28, 38, 58. by modern standards it's mostly an 11+ set on the inside strings that has a 13 on top to keep it from being lost in the mix up the neck, and his low E was just ballsy. A deeper dive with references from his tech is readable on the stringjoy channel/ Blog, although the mythos of "Stevie played 13s" sounds way more impressive. Personally i use a custom set that's similar in design but scaled down, 10, 12, 15, 24, 38, 52. it's basically 9's in the middle of a 10-52 set, which also conveniently doubles as a balanced tension set in DAEAC#E tuning for math rock.

[JBGWAlain]

Making such a drastic switch usually requires a truss rod adjustment (and nut filing). The truss rod adjustment would almost certainly make the guitar a bit easier to play for you.

[elderbob]

One of the best things you can do for tone is use a compressor. Compressors make every note the same volume, compensating for finger pressure, frets, pickups, amps, strings, etc. Studios have really good compressors, and you can get compression pre/post amp, effects, and after the mix. You can buy compressor pedals that work well. Pro Tip: When recording, always use direct inputs for the bass, never the amp. Motown always used direct boxes for bass and guitar. Try running your guitar directly into the mixer to see what it sounds like. In the studio Hendrix's guitar was always recorded directly into the mixer isolated, as well as isolated post effects and isolated post amp. Makes it easy to play with the processing after the track is recorded.

[mrhalfstep]

One other thing to note is that SRV tuned his guitars down one half step. That only makes it a teensy bit easier on the old calluses though. It is purported that he sometimes had to actually super glue the pads back on his fingertips to get through a gig.

[psilocyborg]

I started on 12's not knowing any better until someone else played my guitar. I stayed on the more heavy gauge because I was used to them. When I changed to 10's they felt like playing strands of hair and I would over bend but I've stayed in 10's for 20 years now and I can't use anything else it's the perfect "In between gauge" just right for me.