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How To Read E.E. Doc Smith (The Lensman Series)

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The Lensman Series has some special challenges so in this video I'm going to give you a plan to how to read Edward Elmer Smith, also known as Doc Smith. Not to be confused with Doc Savage, of course.
So for those of you who don't know, the Lensman series was a set of stories that were typically serialised in Astounding Stories magazine between about 1934 and 1954. E.E. Smith was a Chemist and a food scientist who was originally from Sheboygan, Wisconsin.
Smith wrote during the "classic" science fiction period, well before digital computers, and actually starting well before rockets or any real inkling of the possibility of space flight. He was also writing during the time of segregation and Jim Crow, and later a world war, so the social conditions in America were very different than they are today. More about that later.
The Lensman series is roughly comprised of six books, I'm not counting here the Vortex Blaster or any of the later books that Smith authorised before his death but did not write, such as New Lensman. The series is quite different in that each novel is basically complete and you can read them in any order.
There is a wide difference in the quality of the writing across the series. The worst book, which I cannot even maintain is still worth reading, is Second Stage Lensman. It has problems both in terms of the editing where the chapter titles don't even match up with the content, and then the plot itself is pretty bad. Triplanetary is also pretty bad, it's just too dated to be readable, at least I can't recommend that you do.
On the other hand, Galactic Patrol is well-written, Grey Lensman is better, and Children of the Lens is a science fiction masterpiece.
So, I would propose you start with Galactic Patrol, as it introduces the Lens and also the main character through the stories, which is Kimball Kinnison. If that book seems too dated, then start with Grey Lensman.
Now, my way is not to give out any spoilers, but we should talk about a few things. Probably the most important thing is that Smith was doing science fiction on a grand scale. So for example at one stage the forces of civilisation start using planets, and objects the size of planets but composed of anti-matter, as projectiles. They even blow up a sun as part of a tactical engagement. So in terms of technology Smith allowed his fantasy to expand into the gigantic. If you compare to contemporary, we have Star Wars with it's "Death Star" that is capable of destroying a planet, and I think in a Star Trek movie one of the villains destroys a star as part of his nefarious plan.
On the other hand, the books are essentially a story of an interminable war. From the beginning of Triplanetary on through to Children of the Lens, there is a continuous war going on, either a hot war with actual combat and space fleets blasting each other into oblivion, or a cold war with drug smuggling, gangs, propaganda, stolen elections, and crime, and human beings on Earth are only a small part of all that. So, almost all of the technology is armament and weapons and the stories certainly glorify war and combat.
The stories also rely on some fairly weak plot devices. So for example, in order to explain why there are no women Lensman, Smith has to resort to the idea that women are too frightened, just constitutionally, they can't stomach going to the ghost planet of Arisia, which is required in order to get a Lens.
The misogyny doesn't get any better in terms of relationships and you can tell Smith is much better writing about bombs and explosions than he is about sex. But, again, I think this is just a reflection of America at that time, and you could do a whole study of American society based on the scruples and projections seen in the fiction of that time period.
One thing Smith gets right is in his depiction of aliens. Smith's aliens are far more interesting and actually far more imaginative than the ones in Star Wars, for example. But I will let you find out about that for yourself.
So for those of you who don't know, the Lensman series was a set of stories that were typically serialised in Astounding Stories magazine between about 1934 and 1954. E.E. Smith was a Chemist and a food scientist who was originally from Sheboygan, Wisconsin.
Smith wrote during the "classic" science fiction period, well before digital computers, and actually starting well before rockets or any real inkling of the possibility of space flight. He was also writing during the time of segregation and Jim Crow, and later a world war, so the social conditions in America were very different than they are today. More about that later.
The Lensman series is roughly comprised of six books, I'm not counting here the Vortex Blaster or any of the later books that Smith authorised before his death but did not write, such as New Lensman. The series is quite different in that each novel is basically complete and you can read them in any order.
There is a wide difference in the quality of the writing across the series. The worst book, which I cannot even maintain is still worth reading, is Second Stage Lensman. It has problems both in terms of the editing where the chapter titles don't even match up with the content, and then the plot itself is pretty bad. Triplanetary is also pretty bad, it's just too dated to be readable, at least I can't recommend that you do.
On the other hand, Galactic Patrol is well-written, Grey Lensman is better, and Children of the Lens is a science fiction masterpiece.
So, I would propose you start with Galactic Patrol, as it introduces the Lens and also the main character through the stories, which is Kimball Kinnison. If that book seems too dated, then start with Grey Lensman.
Now, my way is not to give out any spoilers, but we should talk about a few things. Probably the most important thing is that Smith was doing science fiction on a grand scale. So for example at one stage the forces of civilisation start using planets, and objects the size of planets but composed of anti-matter, as projectiles. They even blow up a sun as part of a tactical engagement. So in terms of technology Smith allowed his fantasy to expand into the gigantic. If you compare to contemporary, we have Star Wars with it's "Death Star" that is capable of destroying a planet, and I think in a Star Trek movie one of the villains destroys a star as part of his nefarious plan.
On the other hand, the books are essentially a story of an interminable war. From the beginning of Triplanetary on through to Children of the Lens, there is a continuous war going on, either a hot war with actual combat and space fleets blasting each other into oblivion, or a cold war with drug smuggling, gangs, propaganda, stolen elections, and crime, and human beings on Earth are only a small part of all that. So, almost all of the technology is armament and weapons and the stories certainly glorify war and combat.
The stories also rely on some fairly weak plot devices. So for example, in order to explain why there are no women Lensman, Smith has to resort to the idea that women are too frightened, just constitutionally, they can't stomach going to the ghost planet of Arisia, which is required in order to get a Lens.
The misogyny doesn't get any better in terms of relationships and you can tell Smith is much better writing about bombs and explosions than he is about sex. But, again, I think this is just a reflection of America at that time, and you could do a whole study of American society based on the scruples and projections seen in the fiction of that time period.
One thing Smith gets right is in his depiction of aliens. Smith's aliens are far more interesting and actually far more imaginative than the ones in Star Wars, for example. But I will let you find out about that for yourself.
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