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Sony a7s III ProRes RAW HQ HDR PQ Sample Footage (HDR)
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Sony a7s III ProRes RAW HQ HDR PQ Sample Footage
Camera: Sony a7s III
Sony 50mm f/1.2 GM
ISO 640, f/3.5
Nanlite Forza 60
Nanlite PJ-FZ60-19
Nanlite Forza 500, 17% power
Aputure Lantern 90
Yongnuo YN216
Gitzo 1545TA
Ninja V
ProRes RAW HQ transcoded to ProRes 4444 in Compressor
NLE: DaVinci Resolve Studio 17
Input Color Space: Rec.2100 ST2084
Reference Display: LG 55CX
Uploaded to YouTube in ProRes 4444
The a7s III is not just a warmed-over a7 III: it has vastly improved color science, uncanny autofocus that surpasses that of any rival mirrorless camera (especially when recording RAW and log at two stops over); full pixel readout 4K 120p with no line skipping or overheating; the highest resolution EVF of any hybrid camera; a wide choice of codecs to choose from with manageable file sizes; and improved image stabilization.
Download free a7s III 4K 60p ALL-I 600Mbps 4:2:2 S-log3/S-Gamut3 HDR sample footage (608MB) here:
Camera: Sony a7s III
Sony 50mm f/1.2 GM
ISO 640, f/3.5
Nanlite Forza 60
Nanlite PJ-FZ60-19
Nanlite Forza 500, 17% power
Aputure Lantern 90
Yongnuo YN216
Gitzo 1545TA
Ninja V
ProRes RAW HQ transcoded to ProRes 4444 in Compressor
NLE: DaVinci Resolve Studio 17
Input Color Space: Rec.2100 ST2084
Reference Display: LG 55CX
Uploaded to YouTube in ProRes 4444
The a7s III is not just a warmed-over a7 III: it has vastly improved color science, uncanny autofocus that surpasses that of any rival mirrorless camera (especially when recording RAW and log at two stops over); full pixel readout 4K 120p with no line skipping or overheating; the highest resolution EVF of any hybrid camera; a wide choice of codecs to choose from with manageable file sizes; and improved image stabilization.
Download free a7s III 4K 60p ALL-I 600Mbps 4:2:2 S-log3/S-Gamut3 HDR sample footage (608MB) here:
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