Sergei Rachmaninov - Études-Tableaux Op. 33

- Composer: Sergei Vasilievich Rachmaninoff (1 April 1873 -- 28 March 1943)
- Performer: Vladimir Ovchinnikov
- Year of recording: 1989

Etudes-Tableaux, for piano, Op. 33, written in 1911.

00:00 - I. Allegro non troppo in F minor
02:54 - II. Allegro in C major
05:15 - III. Grave - Meno mosso in C minor
xx:xx - IV. Allegro in A minor (withdrawn, reused as Op. 39/6)
11:02 - V. Moderato in D minor
14:24 - VI. Non allegro - Presto in E flat minor
16:10 - VII. Allegro con fuoco in E flat major
18:11 - VIII. Moderato in G minor
22:37 - IX. Grave in C sharp minor

The quantity and numbering of these Etudes is confusing because Rachmaninov withdrew three of the original nine prior to publication. The original nine were as follows: #1 in f minor, #2 in C major, #3 in c minor, #4 in a minor, #5 in d minor, #6 in e-flat minor, #7 in E-flat major, #8 in g minor, and #9 in c-sharp minor. Rachmaninov withdrew numbers 3 in c minor, 4 in a minor and 5 in d minor. The a minor Etude, originally number 4, was included in the Etudes-Tableaux, Opus 39 as number 6, and the other two, in c minor and d minor were published posthumously. The resulting set of Etudes-Tableaux, Opus 33, thereby became a set of six, #1 in f minor, #2 in C major, #3 (formerly #6) in e-flat minor, #4 (formerly #7) in E-flat major, #5 (formerly #8) in g minor, and #6 (formerly #9) in c-sharp minor. The two posthumously published Etudes are now usually reinstated in the set between numbers 2 and 3, creating a set of eight Etudes.

The style is identical to that of the Préludes, Opus 32, and, in fact, there is little technically to differentiate these pieces as distinctly Etudes rather than Préludes. On the other hand, the powerfully declamatory mood of these works seems to give them a more epic scale than the Préludes in spite of their similar length. This is presumably because of Rachmaninov's intention that these be more than just studies, but also "Tableaux" (pictures).

- #1, in f minor. This is a march in Rachmaninov's usual style. It is actually easier to play than most of the Préludes.
- #2, in C major. A lovely Nocturne, similar in mood and style to the Prélude Opus 32 #12. The right-hand melody soars above an arpeggiated left hand. Again, an Etude of only moderate difficulty.
- #3, in c minor (published posthumously). This is a slow and stately elegy. The second half in C major is less severe. Rachmaninov used the closing bars in the middle movement of his Fourth Piano Concerto, which may explain its withdrawal from the original set.
- #4, in d minor (published posthumously). Driving rhythms propel this staccato chord study. Brilliant and effective, it is unknown why Rachmaninov withdrew it from the original set.
- #5, in e-flat minor (originally #6, published as #3). Complex rapid figurations are the main feature of this breathtaking and difficult study. The harmony is fleeting and chromatic.
- #6, in E-flat major (originally #7, published as #4). Strongly reminiscent of the E major Prélude Opus 32, #3, this Etude is a brilliant and vigorously exciting March.
- #7, in g minor (originally #8, published as #5). This is an elegiac Nocturne that gradually builds to a dramatic and declamatory central cadenza. The shortened reprise builds to another climactic cadenza before the hushed final chords. It is an extraordinarily original conception.
- #8, in c-sharp minor (originally #9, published as #6). Rachmaninov makes effective use of the shift between major and minor sonorities in this bold and declamatory piece. The overall mood is tragic and powerful.

[connorr.]

I thought Lugansky's recording was the best one, but this is at least an equal to Lugansky's, if not better. Ovchinnikov is a beast.

[giuliabrasini]

Sergej Vasil'evič Rachmaninov (1873-1943), Op. 33 Études-Tableaux (1911) 🇷🇺

• n°. 1 00:06 (Allegro non troppo)
• n°. 2 2:56 (Allegro)
• n°. 3 5:17 (Grave-Meno mosso)
• n°. 5 11:04 (Moderato)
• n°. 6 14:26 (Non allegro-Presto)
• n°. 7 16:12 (Allegro con fuoco)
• n°. 8 18:13 (Moderato)
• n°. 9 22:39 (Grave)

[danybaychere]

Admirable interprétation de Rachmaninov! Tout y est: la force, la sensibilité, une émotion contenue et toujours présente! Merci pour ce beau moment.

[gerardbegni]

These "etudes(tableaux" are interpretatd with a great sensitivity and a very high fidelity to Rachmaninov's text by Vladimir Ovchinnikov. We must remember his name.

[seancloser]

The ideas of these etudes are so difficult to express. But this pianist did a wonderful job.

[Arosssa]

The last one is my favourite of this set

[pianobillf]

9:05 through 10:05: one of the most beautiful passages in all Western music.

[jenniferjohnson]

Amazing! Sheer brilliance. Brings memories of my father playing these on the family piano when I was a child.

[SkyFoxTale]

Haha expecting to hear the end of Chopin's Ballade No.1 at 22:29

[trisexualtrinicorn]

12:34 the brutalist part when practicing... I cant feel my hands

[MahlayStudios]

Brain exploded!!!! In his 9th Etude he makes homage to Scriabin's 9th with the E C# E# Enat!!!

[francescoguttadauro]

one of the best russian pianists, unfortunately there a are a few recordings...

[canman]

I love them all together with the op 32 and op 39.

[diminishednd]

Thank you for posting these videos! You always find the best recordings... I've found a few new "favorite artists" now on your channel. And then there's the work put in lining up the score! Wow! Thank you thank you

[jorgefraile]

Dude, Rach is a GOD. The last etude Tableaux!

[wernerbkerner]

The mood in the last etude is just like in Chopin's d-minor prelude.

[pianobillf]

The first one reminds me of his epic G mi Prelude.

[m.a.]

2:20 - 2:40 so simple yet so magical. Wow.

[nortonnoble]

I am wondering if I can find this work (especially Op.33 No.5) performed by Rachmaninov himself. He composed this but can we find Rachmaninov's performance in the form of a CD or gramophone record?

[mateusgradyharsono]

no 4 in D minor seems reminiscent of his third piano concerto :D