F. Mendelssohn - Sonata for Cello and Piano No. 2 in D Major, Op. 58

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Valentin Radutiu, Cello
Per Rundberg, Piano

00:00 - I. Allegro assai vivace
08:03 - II. Allegretto scherzando
14:00 - III. Adagio - Attavva subito
18:49 - IV. Molto allegro e vivace

Live recording
Internationales Musikfestival Clara Haskil, Hamburg 2016

Mobile Recording Hamburg
  1. FI Clara Haskil
  2. Cello
  3. Piano
  4. Mendelssohn
  5. Radutiu
  6. Rundberg
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Комментарии
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Valentin Radutiu is an amazing cellist, he deserves so much!! Congrats on this beautiful Mendelssohn 😍

johns.
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It’s so nice when you can see the audience appreciating the gorgeous music

euomu
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Great interplay between the musicians, beautiful sound and expression by the cellist, and great virtuosity at service of this precious and fluent musical creations! Bravissimi.

alessandropelizzoli
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Surprised, ,

Sobeautiful performance,
Excellent.

Thanks for updating.

koichimiyoshi
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Admiring Rundberg's economy of motion

emfox
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1:13 I haven't seen the score of this work, but this phrase always gets to me. Did Mendelssohn actually write it that the first play through the high note is articulated cleanly and the second time there is a slight glissando leading to it? I always hear it that way, even Rostropovich and Starker.
If that was Mendelssohn's intention, it's genius. If it is an interpretation, it's genius performance.
This is an exciting piece, as joyful as anything Mendelssohn ever wrote, with the false cadences leading development in unexpected directions to the listeners' delight.
Bravo, Maestros!

winstonelston
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This Sonata is another example of "95%-based-on-the-piano-part" piece. So, I think it should be called "Sonata for Piano and Cello" (same as Beethoven's Sonatas are named). I played this piece a couple years ago. Can't say I enjoyed though... The amount of notes in piano part is enormous but the "content" is little bit empty, to my taste.